A work in constant progress (and occasional regress).
Release Date:
May 5, 2017
Original Title:
Risk
Alternate Titles:
Asylum
Genres:
Crime | Documentary
Production Companies:
Field of Vision
First Look Media
Praxis Films
Topic Studios
Production Countries:
Germany | United States of America
Ratings / Certifications:
GB: 15 IE: 15 US: NR
Runtime: 91
Capturing the story of WikiLeaks founder Julian Assange with unprecedented access, director Laura Poitras finds herself caught between the motives and contradictions of Assange and his inner circle in a documentary portrait of power, betrayal, truth and sacrifice.
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Co-Producer:
Kirsten Johnson
Director:
Laura Poitras
Director of Photography:
Katy Scoggin
Laura Poitras
Kirsten Johnson
Editor:
Melody London
Erin Casper
Laura Poitras
Executive Producer:
Sam Esmail
Music:
Jeremy Flower
Producer:
Yoni Golijov
Brenda Coughlin
Laura Poitras
Sound Recordist:
Farihah Zaman
Andy Hoare
Wellington Bowler
Laura Poitras
Visual Effects:
Killian Manning
Neil Reynolds
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.