Bottom of the World (2017) [N/A]

Release Date:
March 31, 2017

Original Title:
Bottom of the World

Alternate Titles:
底なしの世界

Genres:
Drama | Thriller

Production Companies:
Catalyst Global Media
Go Insane Films
Zed Filmworks

Production Countries:
Canada | United Kingdom

Ratings / Certifications:
 N/A

Runtime: 85

Reality is not what it seems

On their road trip through the southwestern desert, Alex and his girlfriend Scarlett arrive in a town in the middle of nowhere and take a room in a mysterious hotel so that Scarlett, who is feeling increasingly ill, can get some rest.

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Assistant Director Trainee:
Markie Conners-Magill

Associate Producer:
Sarah Deline

Camera Operator:
Adrian Langley

Casting:
Danielle Aufiero
Amber Horn
Ilona Smyth

Costume Designer:
Jennifer Stroud

Director:
Richard Sears

Director of Photography:
Adrian Langley

Dolly Grip:
Robert Courtemanche

Editor:
Brian Ufberg

Executive Producer:
Alphonse Ghossein
Charlotte Walls
Gideon Lyons

First Assistant Director:
Eric Zaragoza

Foley Artist:
Noel Vought
Alex U'Ren

Gaffer:
Andreas Borrel

Key Grip:
Paul Osepchook
Robert Courtemanche

Key Hair Stylist:
Jennifer Heaney

Key Makeup Artist:
Ashley Dawn Szabadi

Original Music Composer:
James Clements

Producer:
Robert Menzies
Richard Sears

Production Coordinator:
Veronica Davidson

Production Design:
Shane Boucher

Production Manager:
Sarah Deline

Screenplay:
Brian Gottlieb

Script Supervisor:
Nate Estabrooks
Jennifer Mulligan

Second Assistant Director:
Derek Price

Set Decoration:
Paul Pellerin

Sound Designer:
John Warrin

Sound Editor:
Jim Gallivan
Dave Warrin

Sound Effects Editor:
John Warrin
Scott Kramer

Sound Mixer:
Trevor Goulet

Sound Re-Recording Mixer:
John Warrin

Still Photographer:
Lisa Rodriguez

Story:
David Kowalski
Brian Gottlieb

Supervising Sound Editor:
John Warrin

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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