A work in constant progress (and occasional regress).
Release Date:
October 16, 1980
Original Title:
Final Cut
Alternate Titles:
Death Games
Final Cut
Ticket to Hell
Genres:
Drama | Thriller
Production Companies:
Queensland Film Corporation
The Australian Film Commission
Wilgar Productions
Production Countries:
Australia
Ratings / Certifications:
AU: M US: NR
Runtime: 81
A glossy thriller about a show-business tycoon with a shady background, and a young documentary filmmaker and his girlfriend who are making a film about him. They believe the tycoon has been making "snuff" films, and try to get a confession on film. He invites them to his luxury penthouse for a weekend of partying and filming, and indulges in mind games until the party ends in disaster.
Boom Operator:
Max Bowring
Continuity:
Julie Bates
Costume Design:
Camilla Rountree
Director:
Ross Dimsey
Director of Photography:
Ron Johanson
Editor:
Tony Paterson
Executive Producer:
Frank Gardiner
First Assistant Director:
Scott Hicks
Makeup & Hair:
Margaret Lingham
Original Music Composer:
Howard Davidson
Original Story:
Jonathan Dawson
Producer:
Mike Williams
Production Design:
Phil Warner
Production Manager:
Terrie Vincent
Second Assistant Director:
Bob Fegelson
Sound Re-Recording Mixer:
Phil Heywood
Julian Ellingworth
Sound Recordist:
John Rowley
Stunt Coordinator:
Gary Paul
Stunts:
Rick Harwell
Michael R. Long
Jim Lovelett
David Piepenbrok
Mark A. Cuttin
Stan Moore
Tony Hugghins
Brad Overturf
Writer:
Ross Dimsey
Jonathan Dawson
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.