A work in constant progress (and occasional regress).
Release Date:
April 14, 2016
Original Title:
The Transfiguration
Alternate Titles:
A Transfiguração
Genres:
Drama | Horror
Production Companies:
Transfiguration Productions
Production Countries:
United States of America
Ratings / Certifications:
GR: K15 IE: 18
Runtime: 97
When troubled teen Milo, who has a fascination with vampire lore, meets the equally alienated Sophie, the two form a bond that begins to blur Milo's fantasy into reality.
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Art Department Assistant:
Brandon Barr
Boom Operator:
Tricia Torley
Casting:
Eve Battaglia
Casting Associate:
Karin Sibrava
Karen Sibrava
Cinematography:
Sung Rae Cho
Co-Producer:
Billy Mulligan
Colorist:
Ari Rothschild
Consulting Producer:
Joyce Pierpoline
Costume Design:
Samantha Hawkins
Dialogue Editor:
Duncan Clark
Director:
Michael O'Shea
Editor:
Kathryn J. Schubert
Executive Producer:
Daniel Hammond
Lauren McCarthy
First Assistant Camera:
Margaret Sclafani
John Henri Coene
First Assistant Director:
Niki Janowski
Gaffer:
Jacob Beil
Key Grip:
Paul Agostinelli
Line Producer:
Javier Gonzalez
Location Manager:
Evelyn Chu
Makeup Department Head:
Ashley K. Thomas
Makeup Effects:
Pete Gerner
Brian Spears
Original Music Composer:
Margaret Chardiet
Producer:
Susan Leber
Production Design:
Danica Pantic
Script Supervisor:
Anna Lomakina
Second Assistant Camera:
Joseph Robinson
Set Decoration:
Amber Unkle
Sound Effects Editor:
Matt Snedecor
Sound Mixer:
Gillian Arthur
Special Effects Makeup Artist:
Brian Spears
Pete Gerner
Special Effects Supervisor:
Brian Schuley
Stunt Coordinator:
Manny Siverio
Stunts:
Jay Carrado
Supervising Sound Editor:
Coll Anderson
Visual Effects Supervisor:
Chris Haney
Writer:
Michael O'Shea
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.