A work in constant progress (and occasional regress).
Release Date:
September 11, 2005
Original Title:
Footprints in the Snow
Genres:
Drama
Production Companies:
Oxford Film and Television
Production Countries:
United Kingdom
Ratings / Certifications:
N/A
Runtime: 96
Paralysed from the waist down after a car crash, Julie Hill struggles to get used to her disability and to save her marriage. It looks as if her husband will leave her. Then doctors try a revolutionary treatment which feeds electrical impulses to her leg muscles - allowing her to ride a bicycle once again and so go out for bike rides with her family. Her marriage survives and she and her husband end up closer together than before.
ADR Mixer:
Khama Matiti
Art Direction:
Michael Kelm
Casting:
Carrie Hilton
Costume Design:
Ralph Wheeler-Holes
Director:
Richard Spence
Director of Photography:
David Odd
Editor:
Andrew McClelland
Electrician:
Chris Knoll
Executive Producer:
Nicolas Kent
First Assistant Director:
Richard Styles
Hair Designer:
Christine Walmesley-Cotham
Line Producer:
Rupert Ryle-Hodges
Makeup Artist:
Kay Bilk
Original Music Composer:
Stephen McKeon
Producer:
Mark Bentley
Production Design:
Jonathan Lee
Script Supervisor:
Cathy Doubleday
Second Assistant Camera:
Chris Samsworth
Second Assistant Director:
Carlos Fidel
Sound Editor:
Kallis Shamaris
Sound Mixer:
Andrew Sissons
Stunt Coordinator:
Lee Sheward
Stunts:
Sarah Franzl
Steve Griffin
Tina Maskell
Seon Rogers
Supervising Sound Editor:
Ben Norrington
Third Assistant Director:
Susan Drennan
Writer:
Nigel Williams
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.