A work in constant progress (and occasional regress).
Release Date:
June 28, 2000
Original Title:
Le Conte du ventre plein
Genres:
Comedy | Drama
Production Companies:
Accolade Productions
CNC
Canal+
Co-Productiefonds Binnenlandse Omroep
Conseil Régional de Franche-Comté
Euripide Productions
Harlekijn Holland BV
Havas Images
Katholieke Radio Omroep (KRO)
Les Voleurs d'Ombres
Production Countries:
France | Netherlands
Ratings / Certifications:
N/A
Runtime: 105
Maverick director Melvin Van Peebles translates his own satirical novel to the screen with this multi-national portrait of race, class, and hypocrisy. The film's title refers to the name of a haute cuisine restaurant run by a self-satisfied conservative couple, Henri and Loretta. When the two find themselves overworked in the kitchen, they retreat to the local orphanage to find some cheap waitressing help, and the teenaged Diamantine fits the bill perfectly. The haughty couple has more plans for the girl than just waiting tables, however -- the conspicuously accommodating Henri and Loretta are actually bad-mouthing the girl behind her back to the townspeople and the restaurant's patrons. They go so far as to ask the naive Diamantine to pretend that she's pregnant, and she complies under the assumption that it's a harmless prank. When their intentions are revealed, however, the girl becomes wise to the couple's self-satisfied scheming, and sets her sights on revenge.
Casting:
Marie Pairis
Cinematography:
Philippe Pavans de Ceccatty
Costume Design:
Claire Gerard-Hirne
Director:
Melvin Van Peebles
Editor:
Catherine d'Hoir
Foley Artist:
Jonathan Liebling
Makeup Artist:
Chantal Antoine
Music:
Melvin Van Peebles
Producer:
Jean-Pierre Saire
Melvin Van Peebles
Yves Pasquier
Daniel Toscan du Plantier
Production Design:
Kim Nezzar
Writer:
Melvin Van Peebles
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.