A work in constant progress (and occasional regress).
Release Date:
September 1, 2017
Original Title:
Lady Bird
Alternate Titles:
Lady Bird - A Hora de Voar
Uğur Böceği
Леді-птах
کفشدوزک
레이디 버드
Genres:
Comedy | Drama
Production Companies:
Entertainment 360
IAC Films
Scott Rudin Productions
Production Countries:
United States of America
Ratings / Certifications:
AT: AA AU: MA15+ BR: 14 CZ: 15+ DK: 7 ES: 12 FI: K-12 FR: 18 GB: 15 HK: IIB HU: 12 ID: 21+ IE: 15A IL: הותר לכל IT: T JP: PG12 KR: 15 MX: B-15 NL: 12 PL: 16 PT: M/14 RO: 15 RU: 18+ SE: Btl US: R
Runtime: 94
Lady Bird McPherson, a strong willed, deeply opinionated, artistic 17 year old comes of age in Sacramento. Her relationship with her mother and her upbringing are questioned and tested as she plans to head off to college.
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ADR Mixer:
Matt Hovland
Additional Camera:
Dave Anglin
Aerial Director of Photography:
Ryan Hosking
Assistant Art Director:
Courtney Fain
Assistant Editor:
Crystal Platas
Assistant Production Coordinator:
Kendra Rasmussen
Assistant Property Master:
Xylon Jones
Best Boy Electric:
Chris Ford
Boom Operator:
Gail Carroll-Coe
Camera Operator:
David Feeney-Mosier
Casting:
Allison Jones
Jordan Thaler
Heidi Griffiths
Casting Assistant:
Emily Buntyn
Rebecca Feldman
Casting Associate:
Ben Harris
Chef:
Edwin Uceda
Chief Lighting Technician:
Jerry W. Mundy Jr.
Co-Producer:
Jason Sack
Alex G. Scott
Costume Design:
April Napier
Costume Supervisor:
Sarah Tickal
Dialect Coach:
Kate Wilson
Digital Intermediate Colorist:
Alex Bickel
Director:
Greta Gerwig
Director of Photography:
Sam Levy
Dolly Grip:
Danny Dougherty
Driver:
David A. Coughlin
Brian D. Hall
Joseph Maka Langi
Glen Curtis
Salvador Mejia
Ian Overson
Robert Dargenzio
Shawn Enright
Wayne Flowers
Janeen Christenson
Editor:
Nick Houy
Executive Producer:
Lila Yacoub
First Assistant Camera:
Stephen MacDougall
Jesse Cain
First Assistant Director:
Jonas Spaccarotelli
First Assistant Editor:
Nicholas Ramirez
Hair Department Head:
Aubrey Marie
Key Costumer:
Katina Danabassis
Key Grip:
Julien Janigo
Key Hair Stylist:
Lara Cilento
Key Makeup Artist:
Erin Walters
Leadman:
Nic Weethee
Location Manager:
Michael Edward Smith
Makeup Department Head:
Jacqueline Knowlton
Music Editor:
Suzana Peric
Music Supervisor:
Brian Ross
Michael Hill
Orchestrator:
Steve Bartek
Edward Trybek
Original Music Composer:
Jon Brion
Painter:
Erin McKenna
Post Production Supervisor:
Isabel Henderson
Producer:
Eli Bush
Scott Rudin
Evelyn O'Neill
Production Coordinator:
Wednesday Standley
Production Design:
Chris Jones
Production Office Assistant:
Joanna Glum
Cori Elwood
Hannah Caldwell
Ben Hall
Production Supervisor:
Wednesday Standley
Property Master:
Perry Pascual
Script Supervisor:
Jan McWilliams
Second Assistant Director:
Brendan Lee
Second Unit Director of Photography:
David Feeney-Mosier
Set Decoration:
Traci Spadorcia
Set Dresser:
Gerald Palone
Chase Cushing
Keith Balser
Nicholas Warren Lopez
Camilo Castano
Set Medic:
Jason Rico
Jacob D. Howard
Set Production Assistant:
Laron Spearman
Dana Nelson
James Corp
Lannie Barcelon
Sound Editor:
Justine Baker
Nicholas Schenck
Sound Mixer:
Amanda Beggs
Sound Re-Recording Mixer:
Paul Hsu
Skip Lievsay
Stand In:
Andrea Clark-Meier
Marissa Baram
Sedona Feretto
Still Photographer:
Merie Weismiller Wallace
Merrick Morton
Studio Teachers:
Mark Alkofer
Stunt Coordinator:
Chris O'Hara
Stunt Double:
Hamzah Sarwari
Supervising Sound Editor:
Paul Hsu
Title Designer:
Teddy Blanks
Leanne Shapton
Transportation Captain:
David Christenson
Transportation Coordinator:
Louis Dargenzio
Unit Production Manager:
Lila Yacoub
Danielle Blumstein
Utility Sound:
Jesse Kaplan
Visual Effects Supervisor:
Andrew Lim
Writer:
Greta Gerwig
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.