A work in constant progress (and occasional regress).
Release Date:
March 31, 2016
Original Title:
On Air: Storia di Un Successo
Genres:
Comedy | Drama | Music
Production Companies:
L'Isola Production
MGP Film
Medusa Film
Production Countries:
Italy
Ratings / Certifications:
IT: T
Runtime: 120
In an alternation of stories from the past and present of Marco Mazzoli, radio DJ and creator of Lo Zoo di 105 (one of the most followed radio programs in Italy), we relive what symbolizes the great adventure of life: an adventure made of victories but also of many bitternesses and defeats. Episodes of lost and then found loves, friendships that began and then ended, betrayals, thefts, dismissals, complaints and many humiliations follow one another, but in the end, they lead to the fulfillment of a dream, what everyone seeks: their own personal fulfillment.
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Assistant Art Director:
Marika Cosenza
Letizia Persico
Paola Spreafico
Assistant Costume Designer:
Valentina Poggi
Assistant Director:
Kempes Astolfi
Assistant Editor:
Alfredo Alvigini
Francesco Iacoi
Assistant Makeup Artist:
Elvira Stella Pastore
Assistant Production Manager:
Carolina Bianchi
Erica Corti
Assistant Property Master:
Andrea Pampallona
Associate Producer:
Mauro Colombo
Silvano Corallo
Daniele Di Lorenzo
Luca Rossi
Lorenzo Taverna
Boom Operator:
Francesco Iscaro
Camera Operator:
Andrea ''Andy'' Galeazzi
Marco Tani
Casting:
Patrizia Amico
Cinematography:
Fabio Cianchetti
Costumer:
Donatella Cianchetti
Digital Colorist:
Rocio Valladares Alegria
Digital Compositor:
Laura Boscarino
Sara Ciceroni
Joseph Lefevre
Digital Imaging Technician:
Elisabetta Giri
Director:
Davide Simon Mazzoli
Director of Photography:
Fabio Cianchetti
Editor:
Micaela Natascia Di Vito
Electrician:
Riccardo Laratro
Mario Miccoli
Ferruccio Parolini
Jacopo Trinca
First Assistant "B" Camera:
Pietro Coppolecchia
First Assistant Camera:
Antonello Beghetto
Manuel Granata
First Assistant Director:
Alessandro Stellari
Foley Artist:
Alvaro Gramigna
Foley Recordist:
Filippo Barracco
Gaffer:
Adriano Rino Ferracin
Grip:
Claudio Di Lorenzo
Maurizio Miroglio
Adriano Tessarin
Hairstylist:
Elisabetta Flotta
Idea:
Marco Mazzoli
Davide Simon Mazzoli
Ugo Chiti
Key Grip:
Diego Tessarin
Key Hair Stylist:
Elisabetta Flotta
Line Producer:
Riccardo Pintus
Donatello Della Pepa
Location Manager:
Marco Bergamaschi
Stefano Lorenzi
Makeup Artist:
Elisabetta Emidi
Matchmove Supervisor:
Silvio Castagna Muscella
Matte Painter:
Francesco Sereni
Music:
Andrea Farri
Music Editor:
Fabio D'Amico
Novel:
Davide Simon Mazzoli
Marco Mazzoli
Orchestrator:
Tommy Caputo
Original Music Composer:
Andrea Farri
Pipeline Technical Director:
Petru Ciobanu
Producer:
Luca Rossi
Daniele Gramiccia
Davide Simon Mazzoli
Production Coordinator:
Alessandro Bigoni
Production Manager:
Lorenzo Maggini
Production Secretary:
Simona Bosco Ruggeri
Property Master:
Francesco Bolognini
Propmaker:
Francesca Vitale
Publicist:
Mario Locurcio
Recording Supervision:
Nadia Paone
Screenplay:
Davide Simon Mazzoli
Ugo Chiti
Script Supervisor:
Giulia Patanè
Second Assistant Camera:
Giovanni Ficetola
Second Assistant Director:
Fabrizio Procaccini
Second Second Assistant Director:
Carlo Paramidani
Set Costumer:
Angela Tedesco
Set Decoration:
Rossella Guarna
Songs:
Maurizio Lobina
Sound Editor:
Fabio D'Amico
Sound Effects Editor:
Ivan Caso
Claudio Gramigna
Sound Mixer:
Riccardo Gaggioli
Special Effects:
Giulio Picchiotti
Staff Writer:
Andrea Campanella
Andrea Cucchi
Luca Leoni
Steadicam Operator:
Salvatore Anversa
Andrea ''Andy'' Galeazzi
Richard Mallaby
Story:
Marco Mazzoli
Davide Simon Mazzoli
Ugo Chiti
Trainee Production Coordinator:
Valentina Robatto
Unit Production Manager:
Davide Lamberti
Nicolas Trossat
Visual Effects:
Ubaldo Boni
Dennis Cabella
Guerrina Camilla
Fabio Cirilli
Francesco De Meo
Donato Di Carlo
Marcello Ercole
Luigi Nappa
Leonardo Ponzano
Josè Sala
Wardrobe Coordinator:
Francesca Manuele
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.