A work in constant progress (and occasional regress).
Release Date:
October 21, 2016
Original Title:
Karalių pamaina
Alternate Titles:
Karaļu maiņa
Kings' Shift
Genres:
Action | Drama | Thriller
Production Companies:
Film Angels Studio
Lithuanian Film Center
Tremora
Production Countries:
Latvia | Lithuania
Ratings / Certifications:
N/A
Runtime: 103
A rookie policeman is left alone in a private clinic to guard a comatose suspect of World War II crimes. His shift is long over, yet nobody comes to replace him. However, the youngster is determined not to leave his post until he gets permission from his authorities to do so. Lack of sleep, loneliness, hunger and the persistence to serve his duty turn the young man into a ticking time bomb at the very wrong time. He must decide how far he can go guarding this suspect who is hated to death by everyone.
Assistant Director:
Elena Rožukaitė
Best Boy Electrician:
Aleksandr Panin
Best Boy Grip:
Vladimir Polamarcuk
Boom Operator:
Julius Grigelionis
Casting:
Inga Paškevičiūtė
Costume Design:
Arūnė Daukantaitė
Director:
Ignas Miškinis
Director of Photography:
Rolandas Leonavičius
Editor:
Ignas Miškinis
Giedrius Svirskis
Gaffer:
Vitalij Kutko
Key Grip:
Darius Brukštaitis
Location Scout:
Oleg Jakovlev
Makeup Designer:
Aistė Rumševičiūtė
Music:
Edgars Rubenis
Producer:
Ieva Norvilienė
Jānis Kalējs
Production Design:
Aurimas Aksys
Production Manager:
Laurynas Rekys
Script:
Saulius Drunga
Ignas Miškinis
Script Supervisor:
Živilė Mičiulytė
Second Unit Cinematographer:
Vytautas Plukas
Sound Designer:
Ernests Ansons
Sound Editor:
Marius Blažys
Julius Grigelionis
Sound Mixer:
Marius Blažys
Visual Effects Designer:
Giedrius Svirskis
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.