A work in constant progress (and occasional regress).
Release Date:
December 14, 1951
Original Title:
आवारा
Alternate Titles:
Awara
Awāra
The Vagabond
Genres:
Drama | Music | Romance
Production Companies:
All India Film Corporation
R.K. Films
Production Countries:
India
Ratings / Certifications:
IN: U
Runtime: 168
A petty thief is put on trial for the attempted murder of a lawyer. Through a series of flashbacks, the intertwining lives of the thief, the lawyer, and the thief's defense lawyer are illustrated.
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Art Direction:
M.R. Achrekar
Assistant Camera:
Sharad Kadwe
Shantaram Bhonsle
Jaywant Pathare
S.G. Kokate
Assistant Director:
Prakash Arora
Kishore Khanna
S. Kalachandra
Raja Nawathe
Om Prakash Mehra
B. Trilochan
Biren Tripathy
Assistant Editor:
Dinkar Shetye
B. Chandrakant
Assistant Electrician:
S.T. Salunke
Vasant Velkar
Solanki
Choreographer:
Surya Kumar
Krishna Kumar
Madame Simkir
Costume Assistant:
Bakhtawar Singh
C.G. Hanuman
Costume Supervisor:
Om Prakash Mehra
Madame Chorosch
Dialogue:
Khwaja Ahmad Abbas
Director:
Raj Kapoor
Director of Photography:
Radhu Karmakar
Editor:
G.G. Mayekar
Electrician:
R.M. Shinde
Film Processor:
Arun Bhatt
Hairstylist:
Marie Ginetta
Lyricist:
Hasrat Jaipuri
Shailendra
Makeup Artist:
Madhav Pai
Bhujang Pai
Music Director:
Sonny Castelino
Original Music Composer:
Jaikishan Dayabhai Panchal
Shankarsingh Raghuwanshi
Playback Singer:
Mukesh
Mohammed Rafi
Lata Mangeshkar
Manna Dey
Shamshad Begum
Producer:
Raj Kapoor
Production Manager:
Vishwa Mehra
Mohanbali
Production Secretary:
Om Prakash Mehra
Prem Jagirdar
M.L. Soni
Property Master:
P.N. Chadda
Publicist:
Pritam Gahley
Screenplay:
Khwaja Ahmad Abbas
Settings:
K. Damodar
Sound:
Allauddin Khan Qureshi
Sound Assistant:
Shanker Bhowad
Datta Bhowad
Jambu Kumar Kapse
Dhanpat Rai
Sound Re-Recording Mixer:
Minoo Katrak
Still Photographer:
Janardan
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.