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Here Comes Mr. Jordan (1941) [NR]

Release Date:
August 7, 1941

Original Title:
Here Comes Mr. Jordan

Alternate Titles:
L'inafferrabile Signor Jordan
O Céu Pode Esperar

Genres:
Comedy | Fantasy | Romance

Production Companies:
Columbia Pictures

Production Countries:
United States of America

Ratings / Certifications:
AT: 6  HU: 18  JP: R18+  NL: AL  US: NR 

Runtime: 94

A picture different from anything ever screened before!

Overview from TheMovieDB

Boxer Joe Pendleton, flying to his next fight, crashes...because a Heavenly Messenger, new on the job, snatched Joe's spirit prematurely from his body. Before the matter can be rectified, Joe's body is cremated; so the celestial Mr. Jordan grants him the use of the body of wealthy Bruce Farnsworth, who's just been murdered by his wife. Joe tries to remake Farnsworth's unworthy life in his own clean-cut image, but then falls in love; and what about that murderous wife?

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Production

Art Direction:
Lionel Banks

Assistant Director:
William Mull

Costume Design:
Edith Head

Director:
Alexander Hall

Director of Photography:
Joseph Walker

Editor:
Viola Lawrence

Makeup Artist:
Robert J. Schiffer

Music Director:
Morris Stoloff

Original Music Composer:
Friedrich Hollaender

Producer:
Everett Riskin

Screenplay:
Seton I. Miller
Sidney Buchman

Theatre Play:
Harry Segall

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.