A work in constant progress (and occasional regress).
Release Date:
September 1, 1997
Original Title:
Mrs. Dalloway
Alternate Titles:
La signora Dalloway
Mme Dalloway
Mrs. Dalloway, de Virginia Woolf
Genres:
Drama | Romance
Production Companies:
Bergen Film
First Look International
Production Countries:
Netherlands | United Kingdom | United States of America
Ratings / Certifications:
N/A
Runtime: 97
Clarissa Dalloway looks back on her youth as she readies for a gathering at her house. The wife of a legislator and a doyenne of London's upper-crust party scene, Clarissa finds that the plight of ailing war veteran Septimus Warren Smith reminds her of a past romance with Peter Walsh. In flashbacks, young Clarissa explores her possibilities with Peter.
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ADR Editor:
Nick Meijer
Accounting Clerk Assistant:
Duncan Rodger
Art Department Assistant:
Sara Partis
Art Direction:
Nik Callan
Alison Wratten
Assistant Costume Designer:
Michael Price
Assistant Director:
Richard Whelan
Assistant Editor:
Jonathan Sales
Gerrit Netten
Mark Lane
Assistant Location Manager:
Jilly Greenham
Assistant Sound Editor:
Wiebe van der Vliet
Associate Producer:
Paul Frift
Boom Operator:
Shaun Mills
John Pitt
Camera Operator:
Ian Foster
Camera Trainee:
Shaun Cobley
Casting:
Celestia Fox
Choreographer:
Sue Lefton
Clapper Loader:
Joe Wright
Co-Producer:
Hans de Weers
Conductor:
Dick Bakker
Construction Manager:
Iain Hill
Costume Assistant:
Alyson Smith
Jill Avery
Costume Design:
Judy Pepperdine
Costume Supervisor:
Adrian Simmons
Costumer:
Christopher Prins
Jane McDonagh
Director:
Marleen Gorris
Director of Photography:
Sue Gibson
Dressing Prop:
Jim Parker
Editor:
Michiel Reichwein
Electrician:
Ronnie Savory
Gary Colkett
Steve Pattenden
Executive Producer:
Simon Curtis
Bill Shepherd
William Tyrer
Christopher Ball
Extras Casting:
Ray Knight
First Assistant Director:
Susie Liggat
Floor Runner:
Kate Jones
Focus Puller:
Steve Burgess
Foley Artist:
Marie-Jeanne Wyckmans
Foley Mixer:
Herman Pieëte
Gaffer:
Paul Borg
Hair Supervisor:
Maggie Webb
Hairstylist:
Jane Body
Key Grip:
Richard Broome
Location Manager:
Jeanne Ferber
Stephen Lawrence
Susan Mather
Makeup Artist:
Christine Greenwood
Elizabeth Moss
Maureen McGill
Tricia Cameron
Makeup Supervisor:
Maggie Webb
Music Supervisor:
Hugh den Ouden
Novel:
Virginia Woolf
Original Music Composer:
Ilona Sekacz
Post Production Assistant:
Nienke de Wit
Post Production Coordinator:
Bert Nijdam
Producer:
Stephen Bayly
Lisa Katselas
Producer's Assistant:
Sue Matthews
Production Accountant:
Tony Coroon
Production Coordinator:
Danielle Brandon
Production Design:
David Richens
Production Executive:
Maria Slough
Production Runner:
Nigel Marchant
Production Sound Mixer:
Peter Glossop
Property Buyer:
Colin Harris
Property Master:
Freddie Harrison
Scenic Artist:
James Fennessy
Screenplay:
Eileen Atkins
Script Consultant:
Anthony Davies
Script Supervisor:
Paola Minazzato
Danuta Skarszewska
Second Assistant Director:
Emma Pounds
Sara Desmond
Set Decoration:
Jeanne Vertigan
Carlotta Barrow
Sound Editor:
Marc Nolens
Sound Mixer:
Brian Simmons
Standby Art Director:
Linda Ward
Steadicam Operator:
Alf Tramontin
Still Photographer:
Roberta Parkin
Stunts:
Andreas Petrides
Thanks:
Robin Sales
James Ivory
Simon Perry
Tony Pierce-Roberts
Maria Uitdehaag
Ismail Merchant
Third Assistant Director:
Emma Griffiths
Unit Publicist:
Pete Daly
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.