A work in constant progress (and occasional regress).
Release Date:
September 6, 1959
Original Title:
Pociąg
Alternate Titles:
Az éjszakai vonat
Baltic Express
Comboio correio
Der Nachtzug
Nachtzug
Nattexpressen
Nattåg
Nyhterino treno
Pociag
To traino tis nyhtas
Train de nuit
Trem Noturno
Yöjuna
Genres:
Drama | Thriller
Production Companies:
Zespół Filmowy Kadr
Production Countries:
Poland
Ratings / Certifications:
GB: 12
Runtime: 97
Two strangers, Jerzy and Marta, accidentally end up holding tickets for the same sleeping chamber on an overnight train to the Baltic Sea coast. Also on board is Marta's spurned lover, who will not leave her alone. When the police enter the train in search of a murderer on the lam, rumors fly and everything seems to point toward one of the main characters as the culprit.
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Assistant Camera:
Tadeusz Jaworski
Tadeusz Jakuczyn
Assistant Director:
Mieczysław Waśkowski
Anita Janeczkowa
Assistant Editor:
Aurelia Rut
Assistant Makeup Artist:
Mirosław Jakubowski
Mieczysław Pośmiechowicz
Assistant Production Design:
Franciszek Trzaskowski
Assistant Production Manager:
Zbigniew Brejtkopf
Witold Wawrzyniak
Assistant Sound Engineer:
Mikołaj Kompan-Altman
Camera Operator:
Wiesław Zdort
Zenon Filar
Costume Design:
Michelle Zahorska
Director:
Jerzy Kawalerowicz
Director of Photography:
Jan Laskowski
Editor:
Wiesława Otocka
First Assistant Director:
Paweł Komorowski
Makeup Artist:
Teresa Tomaszewska
Musician:
Roman Dylag
Andrzej Kurylewicz
Andrzej Dąbrowski
Józef Gawrych
Andrzej Trzaskowski
Original Music Composer:
Andrzej Trzaskowski
Production Design:
Ryszard Potocki
Production Manager:
Jerzy Rutowicz
Second Unit:
Paweł Komorowski
Sound:
Józef Bartczak
Still Photographer:
Wojciech Urbanowicz
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.