A work in constant progress (and occasional regress).
Release Date:
September 6, 2006
Original Title:
Quelques jours en septembre
Alternate Titles:
Algunos dias en Septiembre
Imeres septemvriou
Mission Nine Eleven
Несколько дней в сентябре
Genres:
Drama | Thriller
Production Companies:
C.R.G. International
CNC
Canal+
France 2 Cinéma
Gemini Films
La Région Île-de-France
Les Films Du Rat
Production Group
TPS Star
Production Countries:
France | Italy | Portugal
Ratings / Certifications:
DE: 16
Runtime: 116
1 September 2001. Elliot, an American C.I.A. agent holding top secret information on the immediate future of the world, disappears. His sole aim was to meet his daughter Orlando, whom he abandoned ten years before. Irène, a French agent who used to work with him, and David, his adoptive son, will help him and lead the girl to her father. Chased by William Pound, a strangely poetic psycho, they will defy the dangers of international espionage from Paris to Venice and finally get to Elliot on 11 September 2001.
ADR Mixer:
Jamie Roden
Casting:
Frédérique Moidon
Co-Producer:
Santiago Amigorena
Costume Design:
Isabelle Baudry
Dialogue Editor:
Mathilde Cousin
Director:
Santiago Amigorena
Director of Photography:
Christophe Beaucarne
Editor:
Sarah Turoche
Executive Producer:
Rosanna Roditi
Tommaso Dabalà
Foley Artist:
Pascal Dedeye
Hairstylist:
Morgane Bernhard
Key Makeup Artist:
Cédric Gérard
Makeup Artist:
Mathilde Dhordain
Original Music Composer:
Laurent Martin
Producer:
Paulo Branco
Production Design:
Emmanuelle Duplay
Set Decoration:
Cécile Deleu
Sound:
François Waledisch
Sound Designer:
Romain Kronenberg
Sound Editor:
Valérie Arlaud
Writer:
Santiago Amigorena
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.