A work in constant progress (and occasional regress).
Release Date:
March 17, 2006
Original Title:
Inside Man
Alternate Titles:
A belső ember
Banková lúpež
El plan perfecto
Ha'ish she'bifnim
Infiltrado
Insajder
Inside Man
Inside Man - L'Homme de l'intérieur
Inside Man : L'Homme de l'intérieur
Insideman
Insider
Keegi seestpoolt
L'informateur
Moukheltebeli
O Plano Perfeito
Omul din interior
Plan Oculto
Plan doskonały
Savas žmogus
Spojenec
Điệp Vụ Kép
İçerideki Adam
Ο υποκινητής
Вътрешен човек
Инсајдер
Не впіймали - не злодій
Не пойман - не вор
Подсадная Утка
Подсадные утки
Човек изнутра
Човек отвътре
نفوذی
インサイド・マン
内部人士
局内人
局内人1
案內人
臥底
인사이드 맨
Genres:
Crime | Drama | Thriller
Production Companies:
40 Acres and a Mule Filmworks
Imagine Entertainment
Universal Pictures
Production Countries:
United States of America
Ratings / Certifications:
AU: MA15+ BE: 18 BG: C BR: 14 CA: R CH: 16 CZ: 18+ DE: 12 DK: 11 ES: 12 FI: K-15 FR: 12 GB: 15 GR: 16 HU: 16 IE: 15 KR: 15 MX: C NL: 18|12 NO: 15 PL: 16 PT: M/12 RO: 18 RU: 18+ SE: 15 US: R
Runtime: 129
When an armed, masked gang enter a Manhattan bank, lock the doors and take hostages, the detective assigned to effect their release enters negotiations preoccupied with corruption charges he is facing.
"A" Camera Operator:
Stephen Consentino
ADR Editor:
Marissa Littlefield
ADR Engineer:
David Boulton
ADR Mixer:
Dicken Berglund
ADR Recordist:
Carlie Bergman
Additional Editing:
Sam Pollard
Additional Sound Re-Recording Mixer:
Bob Chefalas
Ager/Dyer:
Meg Thornton
Apprentice Sound Editor:
Sara Stern
Armorer:
Ryder Washburn
Art Department Coordinator:
Leann Murphy
Art Department Production Assistant:
Carmen Cárdenas
Art Direction:
Chris Shriver
Assistant Art Director:
James C. Feng
Assistant Camera:
Ethan Borsuk
Assistant Costume Designer:
Laura Sewrey
Assistant Editor:
Alex Jablonski
Assistant Location Manager:
Jean Chien
Assistant Production Coordinator:
Kim Jackson
Assistant Property Master:
Ross Huttick
Assistant Sound Editor:
Chris Fielder
Best Boy Electric:
Darrin Smith
Best Boy Grip:
Terrence Laron Burke
Boom Operator:
George Leong
Camera Loader:
Pierson Silver
Camera Operator:
Ricardo Sarmiento
Camera Production Assistant:
James Parsons
Carpenter:
Robert Antalocy
Casting:
Kim Taylor-Coleman
Casting Assistant:
Eve Streger
Charge Scenic Artist:
Jeffrey L. Glave
Co-Producer:
Jonathan Filley
Construction Coordinator:
Martin Bernstein
Construction Foreman:
Timothy Main
Construction Grip:
Arne Olsen
Continuity:
Shari L. Carpenter
Costume Assistant:
Tsigie White
Costume Design:
Donna Berwick
Costume Supervisor:
Paul A. Simmons Jr.
Costumer:
Careen Fowles
Craft Service:
William Sepulveda
Dialect Coach:
Carla Meyer
Dialogue Editor:
Fred Rosenberg
Digital Compositor:
Ella Boliver
Digital Intermediate Editor:
Curtis Lindersmith
Digital Intermediate Producer:
Terra Bliss
Director:
Spike Lee
Director of Photography:
Matthew Libatique
Dolly Grip:
Kurt Rimmel
Editor:
Barry Alexander Brown
Electrician:
Justin Cheatham
Executive Producer:
Karen Kehela Sherwood
Jon Kilik
Kim Roth
Daniel M. Rosenberg
Extras Casting Assistant:
Mo Link
First Assistant Camera:
Pyare Fortunato
First Assistant Director:
Mike Ellis
First Assistant Editor:
Ryan Denmark
Foley Artist:
Marko Costanzo
Foley Editor:
Jamie Baker
Foley Mixer:
Sean Garnhart
Foley Supervisor:
Frank Kern
Gaffer:
John G. Velez
Grip:
Tony Arnaud
Intern:
Bridgett Brown
Key Construction Grip:
Vincent Guarriello
Key Grip:
Lamont Crawford
Key Hair Stylist:
Kenneth Walker
Key Makeup Artist:
Anita Gibson
Location Assistant:
Beth Avery
Location Manager:
Joseph White
Location Scout:
Guy Efrat
Makeup Artist:
Patricia Regan
Musician:
Brice Winston
Mark Adams
Negative Cutter:
Paul Tanzillo Jr.
Orchestrator:
Howard Drossin
Original Music Composer:
Terence Blanchard
Payroll Accountant:
Victoria Brown McCready
Post Production Accountant:
Yana Collins Lehman
Post Production Supervisor:
Susan Lazarus
Producer:
Brian Grazer
Production Accountant:
Mike Phillips
Production Assistant:
Jill Fazzolare
Production Coordinator:
Diana E. Latham
Production Design:
Wynn Thomas
Production Manager:
Miguel Ángel Poveda
Production Sound Mixer:
William Sarokin
Production Supervisor:
Colin Cumberbatch
Property Master:
Michael Saccio
Props:
James Klotsas
Publicist:
Evelyn Santana
Rigging Gaffer:
Bill Almeida
Rigging Grip:
Justin Panzanaro
Seamstress:
Colleen Morris-Glennon
Second Assistant Accountant:
Jennifer Gaston-Gates
Second Assistant Director:
Tracey Hinds
Second Second Assistant Director:
Rodney "Bear" Jackson
Set Decoration:
George DeTitta Jr.
Set Decoration Buyer:
Dan DeTitta
Set Dresser:
Gabu Camilo
Set Production Assistant:
Nicholas Brown
Shop Electric:
Allen Stillman
Sound Effects Designer:
Eugene Gearty
Sound Effects Editor:
Allan Zaleski
Special Effects Assistant:
Fred Buchholz
Special Effects Supervisor:
Steve Kirshoff
Special Effects Technician:
Devin Maggio
Stand In:
James Hook
Steadicam Operator:
Stephen Consentino
Still Photographer:
David Lee
Storyboard Artist:
Dan Maslen
Stunt Coordinator:
Jeff Ward
Stunts:
Jodi Michelle Pynn
Linton Alfred
Roy Farfel
Janet Paparazzo
Supervising Music Editor:
Todd Bozung
Supervising Sound Editor:
Philip Stockton
Title Designer:
Randall Balsmeyer
Transportation Captain:
Gene O'Neill
Transportation Co-Captain:
John Canavan
Unit Production Manager:
Jonathan Filley
Unit Publicist:
Jackie Bazan
Video Assist Operator:
Max Frankston
Writer:
Russell Gewirtz
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.