A work in constant progress (and occasional regress).
Release Date:
September 19, 1980
Original Title:
The Hostage Tower
Alternate Titles:
Alistair MacLean – kaapattu torni
Das Laserstrahl-Kommando
Der Geiselturm
Genres:
Crime | Thriller
Production Companies:
Sandrews
The Jerry Leider Company
Production Countries:
Sweden | United States of America
Ratings / Certifications:
DE: 12
Runtime: 100
A flamboyant master criminal and several specialists stage an audacious scheme to capture the Eiffel Tower and hold as hostage one of its visitors, the U.S. President's mother, while the head of a UN security force tries to stop them.
Assistant Director:
Jacques Santi
Assistant Unit Manager:
Pierre Gralhon
Associate Producer:
Joel Morwood
Boom Operator:
Joël Riant
Director:
Claudio Guzmán
Director of Photography:
Jean Boffety
Editor:
Marie-Thérèse Boiché
Ronald J. Fagan
Executive Producer:
Peter Snell
Jerry Leider
Simona Benzakein
Hairstylist:
Renée Guidet
Makeup Artist:
Marie-Madeleine Paris
Novel:
Alistair MacLean
Original Music Composer:
John Scott
Producer:
Burt Nodella
Production Design:
Claudio Guzmán
Production Manager:
E. Darrell Hallenbeck
Suzanne Wiesenfeld
Property Master:
Jo Jo Iaconelli
Screenplay:
Robert Carrington
Script Supervisor:
Catherine Prévert
Second Assistant Director:
Francis de Gueltzl
Set Decoration:
Gérard Viard
Set Dresser:
Claude Suné
Sound Editor:
Jack Kirschner
Sound Mixer:
Jean-Louis Ducarme
Special Effects:
Charles-Henri Assola
Story:
Robert Carrington
Alistair MacLean
Supervising Sound Editor:
William L. Stevenson
Unit Manager:
Patrick Gordon
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.