A work in constant progress (and occasional regress).
Release Date:
June 15, 2018
Original Title:
Set It Up
Alternate Titles:
Como Livrar-se do Chefe
牵线结缘
Genres:
Comedy | Romance
Production Companies:
Treehouse Pictures
Production Countries:
United States of America
Ratings / Certifications:
AU: MA 15+ BR: 14 DE: 12 NL: 12 PL: 16 PT: M/14 SG: M18 US: R
Runtime: 105
Two overworked and underpaid assistants come up with a plan to get their bosses off their backs by setting them up with each other.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
"A" Camera Operator:
Jeffrey Dutemple
"B" Camera Operator:
Oliver Cary
Chris Reynolds
ADR Mixer:
Chris Navarro
Art Department Coordinator:
Leonard John Bruno
Art Direction:
Charley Beal
Assistant Art Director:
Derek Haas
Rumiko Ishii
Assistant Costume Designer:
Jared B. Leese
Assistant Set Decoration:
Diana Salzburg
Best Boy Electric:
Justin Situ
Boom Operator:
Benjamin Berger
Casting:
Meredith Tucker
Casting Assistant:
Kathleen Katz
Casting Associate:
Betsy Fippinger
Co-Producer:
Katie Silberman
Carrie Fix
Construction Coordinator:
Joseph A. Alfieri Jr.
Costume Design:
Rebecca Hofherr
Dialogue Editor:
Michael Hertlein
Director:
Claire Scanlon
Director of Photography:
Matthew Clark
Editor:
Wendy Greene Bricmont
First Assistant Director:
Curtis Smith
Glen Trotiner
First Assistant Editor:
Rowan Maher
Bernie E. Gomez
Foley Artist:
Brian Straub
Foley Editor:
Donald Flick
Foley Mixer:
Matthew Manselle
Gaffer:
Ken Shibata
Graphic Designer:
Marissa Sher
Hair Department Head:
Anita Lausevic
Key Costumer:
Marisa Ferrara
Key Grip:
Tommy Kerwick Jr.
Key Hair Stylist:
Mandrill Hardge
Key Makeup Artist:
Tracy Raffelson
Location Coordinator:
Emily Wirth
Location Manager:
Sascha Springer
Makeup Artist:
Roxanne Rizzo
Makeup Department Head:
Arielle Toelke
Music Editor:
Tom Kramer
Music Supervisor:
Evyen Klean
Janet Lopez
Original Music Composer:
Laura Karpman
Post Production Coordinator:
Quinn Kawata
Post Production Supervisor:
Tim Pedegana
Producer:
Juliet Berman
Justin Nappi
Production Accountant:
Pamela Bertini
Production Design:
Jane Musky
Production Sound Mixer:
Griffin Richardson
Production Supervisor:
Derek Yip
Jacq Donegan
Property Master:
Jim Lillis
Rigging Gaffer:
Clay Liversidge
Scoring Mixer:
Brad Haehnel
Script Supervisor:
Renee Burke
Second Assistant Director:
Kenyon Noble
Set Decoration:
Alexandra Mazur
Sound Effects Editor:
Bruce Tanis
Bill R. Dean
Dino DiMuro
Sound Re-Recording Mixer:
Mark Paterson
Anna Behlmer
Special Effects Coordinator:
Drew Jiritano
Steadicam Operator:
Jeffrey Dutemple
Still Photographer:
K.C. Bailey
Stunt Coordinator:
Ian Mclaughlin
Stunts:
Don Hewitt Sr.
Supervising Sound Editor:
Darren Sunny Warkentin
Kelly Oxford
Transportation Captain:
Peter Kreinbihl
Transportation Coordinator:
Kevin Flynn
Unit Production Manager:
Carrie Fix
Unit Publicist:
Amy Cohn
Visual Effects Coordinator:
Shannen Walsh
Visual Effects Supervisor:
Edson Williams
Aaron Raff
Wardrobe Supervisor:
Sonja Cizmazia
Writer:
Katie Silberman
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.