A work in constant progress (and occasional regress).
Release Date:
November 4, 2016
Original Title:
Peter and the Farm
Genres:
Documentary
Production Companies:
Cinema Conservancy
Heathen Films
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 92
Peter Dunning is a rugged individualist in the extreme, a hard-drinking loner and former artist who has burned bridges with his wives and children and whose only company, even on harsh winter nights, are the sheep, cows, and pigs he tends on his Vermont farm. Peter is also one of the most complicated, sympathetic documentary subjects to come along in some time, a product of the 1960s counterculture whose poetic idealism has since soured. For all his candor, he slips into drunken self-destructive habits, cursing the splendors of a pastoral landscape that he has spent decades nurturing.
Assistant Director:
Dylan Kraus
Clearances Coordinator:
Anna Casper
Colorist:
Roman Hankewycz
Creative Consultant:
Madeleine Molyneaux
Kevin McCleod
Dialogue Editor:
Sebastian Henshaw
Digital Intermediate Producer:
Matt Caruso
Director:
Tony Stone
Director of Photography:
Tony Stone
Nathan Corbin
Editor:
Maxwell Paparella
Executive Producer:
Cameron Brodie
Online Editor:
Dylan Ball
Christian G. Farfan
Post Production Assistant:
Melanie Mignucci
Producer:
Tony Stone
Melissa Auf der Maur
Jake Perlin
Andrew Adair
Sound Re-Recording Mixer:
Ryan Price
Supervising Sound Editor:
Ryan Price
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.