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The Perfect Afternoon (2007) [N/A]

Release Date:
April 20, 2007

Original Title:
Doskonałe popołudnie

Genres:
Comedy | Drama

Production Countries:
Poland

Ratings / Certifications:
 N/A

Runtime: 91

Additional information:

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Performers

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Production

Administration:
Grzegorz Łozowski
Maria Stefaniak

Assistant Director:
Justyna Nagłowska

Assistant Production Manager:
Magdalena Daniszewska
Małgorzata Szarek-Abrahamowicz

Camera Operator:
Kamil Płocki
Jakub Kijowski

Casting Director:
Beata Wiśniewska

Costume Design:
Zuzanna Winiarska
Joanna Pitura

Director:
Przemysław Wojcieszek

Director of Photography:
Jolanta Dylewska

Editor:
Andrzej Bressa

Makeup & Hair:
Monika Wiśniowska
Olga Wiśniowska

Master Lighting Artist:
Jerzy Grzywacz

Musician:
Barbara Wrońska
Radosław Łukasiewicz
Filip Zawada
Jan Piętka
Grzegorz Śluz

Producer:
Paweł Rakowski

Production Manager:
Rafał Widajewicz

Props:
Piotr Wilczyński
Piotr Wilczyński jr
Leszek Wilczyński

Script:
Mirosława Sada

Set Designer:
Andrzej Płocki
Maria Duffek
Andrzej Rafał Waltenberger

Sound:
Artur Kuczkowski

Sound Effects:
Robert Buczkowski

Writer:
Przemysław Wojcieszek

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.