Home

Fortune Favors the Brave (2016) [N/A]

Release Date:
May 26, 2016

Original Title:
ENTE GUT! Mädchen allein zu Haus

Alternate Titles:
Ente Gut!
Ente gut! Mädchen allein zu Haus
Fortune Favors the Brave

Genres:
Drama | Family

Production Companies:
BR
Bundesministerium für Kultur und Medien
Kevin Lee Filmgesellschaft
KiKA
MDR
Mitteldeutsche Medienförderung

Production Countries:
Germany

Ratings / Certifications:
 N/A

Runtime: 96

Overview from TheMovieDB

Eleven-year-old Linh shows great grace under pressure. When her mother, who’s raising her kids on her own, has to return unexpectedly to Vietnam, Linh looks after her little sister Tien and the family restaurant on her own. Of course, no one is supposed to find out, not the school, not the neighbours, and definitely not child protective services. But Linh’s biggest problem has red hair, a telescope and a sly grin: Pauline. The daredevil from across the street has the whole neighbourhood under surveillance and can’t imagine anything cooler than a life without parents. When Pauline blackmails the Vietnamese sisters into starting a gang with her, the three girls set off on a daring adventure.

Click the heading above to show or hide the text.

Additional information:

The Search Form


Performers

Click the heading above to show or hide the list.

Production

Costume Design:
Birgitta Lohrer-Horres

Director:
Norbert Lechner

Director of Photography:
Namche Okon

Editor:
Manuela Kempf
Laura Heine

Line Producer:
Dieter Horres
Maximilian Plettau

Makeup Designer:
Astrid Lehmann
Teuta Salihu

Music:
Martin Unterberger

Producer:
Norbert Lechner

Production Design:
Nadine Schmidt

Screenplay:
Katrin Milhahn
Antonia Rothe-Liermann

Sound:
Marc Meusinger

Sound Designer:
Clemens Becker

Sound Re-Recording Mixer:
Philipp Sellier

Visual Effects Supervisor:
Gerd Gügel

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.