A work in constant progress (and occasional regress).
Release Date:
February 13, 2016
Original Title:
Nunca vas a estar solo
Genres:
Crime | Drama
Production Companies:
5AM Producciones
Araucaria Cine
Production Countries:
Chile
Ratings / Certifications:
NL: 16
Runtime: 81
Introverted Juan, manager of a mannequin factory, lives alone with his eighteen-year-old gay son, Pablo. Whilst Pablo blithely studies dance, Juan is hoping that, after twenty-five years at the firm, his boss will consider him for a partnership. When Pablo is badly wounded in a brutal homophobic attack which sees him hospitalised, his father realises just how far they have become estranged. A lack of witnesses and expensive medical bills force Juan to leave the quiet stability of his life for good and reposition himself in a world where there is discrimination. Time and again his efforts come to nought, until one night on the streets of Santiago he makes up his own rules in order to save his son.
Assistant Camera:
Andrés Martinoli
Assistant Director:
Antonia Renard
Associate Producer:
Franz Ruz
Continuity:
Mayra Morán
Dialogue Editor:
Christian Cosgrove
Director:
Alex Anwandter
Director of Photography:
Matías Illanes
Editor:
Felipe Gálvez
Executive Producer:
Alex Anwandter
Daniel Marc Dreifuss
Isabel Orellana Guarello
Foley:
Mauricio Castañeda
Legal Services:
Franz Ruz
Original Music Composer:
Alex Anwandter
Other:
Karin Cuyul
Andrés Martinoli
Production Manager:
Mané Garrido
Screenplay:
Alex Anwandter
Sound:
Diego Aguilar
Sound Designer:
Roberto Espinoza
Sound Effects Editor:
Camilo Jiménez
Christian Cosgrove
Sound Mixer:
Roberto Espinoza
Sound Post Production Coordinator:
Pablo Bahamóndez
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.