A work in constant progress (and occasional regress).
Release Date:
August 11, 2016
Original Title:
Beyond the Call to Duty
Alternate Titles:
Beyond the Call to Duty
Call to Duty Fora de Alcance
Mas alla de Call of Duty
The Call of Duty: Operation Freedom
The Call of Duty: Rise of the Undead
Genres:
Action | Science Fiction | Thriller
Production Companies:
Hot Iron Production
Production Countries:
United States of America
Ratings / Certifications:
DE: 18 GB: 15 NL: 16 NO: 15
Runtime: 95
Five Spec Ops, Alpha Squad, head a simple Recon Mission that turns into an all out war for survival against a wave of undead experiments. Alpha Squad must fight, not just for the sake of their own survival, but the fate of the world.
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Director:
Aleksandar Ivicic
Director of Photography:
Aleksandar Ivicic
Makeup Artist:
Phill Beith
Chelsea Baran
Tyler Cheman
Makeup Effects:
Tyler Cheman
Raquel Long
Music:
Elias Symons
Producer:
Mile Ivicic
Kevin Tanski
Production Design:
Letisha Mercado
Still Photographer:
Nicholas Turton
Visual Effects Supervisor:
Grant Pichla
Writer:
Aleksandar Ivicic
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.