A work in constant progress (and occasional regress).
Release Date:
February 2, 1991
Original Title:
Mediterraneo
Alternate Titles:
Akdeniz
Jag älskar soldater!
Jeg elsker soldater
Jeg elsker soldater - Mediterraneo
Mediteran
Mediterráneo
Mediterrâneo
Śródziemnomorska sielanka
Μεντιτερανέο
Середземне море
Средиземно море
Средиземное море
エーゲ海の天使
地中海樂園
Genres:
Comedy | Romance | War
Production Companies:
A.M.A. Film
Penta Film
Production Countries:
Italy
Ratings / Certifications:
ES: 13 IT: T
Runtime: 96
Greek Sea, World War II. An Italian ship leaves a handful of soldiers in a little island; their mission is to spot enemy ships and to hold the island in case of attack. The village of the island seems abandoned and there isn't a single enemy in sight, so the soldiers begin to relax a little. Things change when their ship is hit and destroyed by the enemy, and the soldiers find themselves abandoned there.
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Administration:
Roberto Luvisotti
Assistant Costume Designer:
Alessandra Querzola
Assistant Editor:
Alessandro Baragli
Pierfrancesco Achilli
Costume Design:
Francesco Panni
Director:
Gabriele Salvatores
Director of Photography:
Italo Petriccione
Editor:
Nino Baragli
First Assistant Camera:
Silvia Salamon
First Assistant Director:
Antonella Licata
Gaffer:
Marcello Pericone
Hairstylist:
Vincenzo Cardella
Key Grip:
Massimo Galiano
Line Producer:
Alessandro Vivarelli
Nicolò Forte
Makeup Artist:
Luigi Rocchetti
Original Music Composer:
Giancarlo Bigazzi
Marco Falagiani
Producer:
Mario Cecchi Gori
Vittorio Cecchi Gori
Gianni Minervini
Production Accountant:
Marco Landolfi
Production Design:
Thalia Istikopoulou
Production Secretary:
Antonello Oliva
Fabio Mobili
Screenplay:
Enzo Monteleone
Script Supervisor:
Samantha Natalucci
Second Assistant Camera:
Cristina Balboni
Sound:
Tiziano Crotti
Sound Mixer:
Romano Checcacci
Special Effects:
Giovanni Corridori
Story:
Enzo Monteleone
Unit Manager:
Françoise Kerrouche
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At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.