A work in constant progress (and occasional regress).
Featuring:
Tracy Ryan, Jarod Carey, Catalina Larranaga
Written by:
Catalina Larranaga
Garrett Clancy
Directed by:
Charles Randazzo
Release Date:
January 1, 1999
Original Title:
Corporate Fantasy
Genres:
Drama | Romance
Production Companies:
Mystique Films
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 101
Daisy is a beautiful no-nonsense employee in an advertising firm. Her female co-workers want to help her find someone, and her male co-workers want to be that someone - but only as a one night stand. She begins to enjoy this attention.
In a firm where naive Daisy works as a secretary, male lawlessness reigns. The secretaries working in the corporation know perfectly well that it is necessary to please the men in order not to lose their jobs. All - except Daisy, who even does not know that men are betting on her, in which the winner will be the one who will first put the "new" in bed.
Casting Assistant:
Jana Freeman
Costume Design:
Deborah Ceballos
Director:
Charles Randazzo
Director of Photography:
Harris Done
Editor:
Curtis Edge
Executive In Charge Of Production:
Darren B. Turbow
Executive Producer:
Edward Holzman
First Assistant Director:
Frank Pinnock
Gaffer:
Edgar Arellano
Hairstylist:
Dewey Cook
Makeup Artist:
Dewey Cook
Music:
Chris Anderson
Carl Schurtz
Post Production Supervisor:
David Dancyger
Producer:
William Burke
Production Coordinator:
Diane Laney
Production Design:
Brian F. McCabe
Second Assistant Director:
Mitch Kelleher
Sound Mixer:
Bill Teague
Steadicam Operator:
Michael A. Johnson
Still Photographer:
Suzanne England
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.