A work in constant progress (and occasional regress).
Release Date:
October 1, 2010
Original Title:
Chain Letter
Alternate Titles:
A Corrente do Mal
Chain Letter - The Art of Killing
Ölüm Zinciri
Genres:
Horror | Thriller
Production Companies:
Deon Taylor Enterprises
Tiger Tail Entertainment
Production Countries:
United States of America
Ratings / Certifications:
DE: 18 PT: M/18 US: R
Runtime: 96
Six friends receive a mysterious chain letter via text messaging and in their email accounts from a maniac who's hunting down teenagers who fail to forward his online chain letter. Who knew they should take the threats in the chain letter seriously? Or that chain letters using the teens' favorite technologies to track them can kill? This maniacal game pits friend against friend as they race to beat rules that seem impossible to escape. Break the chain, lose a life. Do you pass it on? Does friendship mean anything?
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ADR Editor:
Angela Hemingway
ADR Mixer:
Corey J. Grasso
Art Direction:
Sean Veale
Lisa Marinaccio
Assistant Art Director:
Samson Kellman
Assistant Hairstylist:
Desmond 'Dez' Wooden
Assistant Makeup Artist:
Melissa Smith
Jessica Bondi
Assistant Sound Editor:
Andrew Brown
Best Boy Electric:
Stu Brumbaugh
Greg Brezovec
Best Boy Grip:
Brett Carleton
Steve Redondo
Boom Operator:
Thomas Staunton
Camera Operator:
Richard W. Davis
Carpenter:
Carlos S. Reyes
Bo Smith
Scot Francis
Edward S. Owens
Casting:
Peter Wise
Corbin Bronson
Co-Producer:
Kelly Andrea Rubin
Colorist:
Keith Roddy
Construction Coordinator:
Samson Kellman
Costume Assistant:
Ray Davis
Samuel Carmona
Julie Suronen
Costume Design:
Chasia Kwame
Digital Intermediate Colorist:
Gareth Cook
Director:
Deon Taylor
Director of Photography:
Philip Lee
Dolby Consultant:
Bryan Arenas
Dolly Grip:
Jay Guffey
Editor:
Joseph Takats
James Coblentz
Electrician:
R. Dustin Sanchez
Chris Horton
Adam Duffy
Ryan Norris
Edwin Schenderlein
Michael Sherman
First Assistant "A" Camera:
Paul Janossy
First Assistant "B" Camera:
Scott Boettle
Coby Garfield
First Assistant Camera:
Matthew Pearce
First Assistant Director:
Corky Cronin
First Assistant Editor:
Emily Chiu
Foley Artist:
Vicki O'Reilly Vandegrift
Foley Editor:
Bobby Martinez
Jonathan Pendergrass
Foley Mixer:
Zach Michaelis
Gaffer:
Curtis Sherman
Brian Evans
Key Costumer:
Solomon Fobb
Key Grip:
Eduardo Barraza
Gary C. Beaird Sr.
Key Hair Stylist:
Karicean 'Karen' Dick
Key Makeup Artist:
Rachel Whitehurst
Location Manager:
Denise Collins
John Grant
Original Music Composer:
Vincent Gillioz
Producer:
Michael J. Pagan
Deon Taylor
Production Coordinator:
Terri L. Burns
Production Design:
George Goodridge
Property Master:
Seth Williams
Pyrotechnician:
Rocky Gehr
Scenic Artist:
Eddie Kingery
Script Supervisor:
Marcella Bremond
Christina Hall
Sculptor:
Danelle Vierkant
Second Assistant "A" Camera:
Dan Taylor
Second Assistant "B" Camera:
Jonathan Goldfisher
Second Assistant Camera:
James Schlittenhart
Second Assistant Director:
Stephanie Tull
Ryan Page
Second Second Assistant Director:
Sean P. Galvin
Second Unit Director:
Abigail Severance
Second Unit Director of Photography:
Christian Sebaldt
Set Dresser:
Carlos S. Carmona
Rodrigo Cabral
Sound Effects Editor:
Steven Iba
Joshua Adeniji
Sound Mixer:
Jason Gaya
Thomas Pinney
Jonathan Wales
Richard Kitting
Sound Re-Recording Mixer:
Richard Kitting
Special Effects:
J.D. Nielsen
Special Effects Coordinator:
James R. Bilz
Special Effects Makeup Artist:
Tom Devlin
Michael Ross
Starr Jones
Rolf Peter Hausen
Robert Maverick
Steadicam Operator:
Richard W. Davis
Stunt Coordinator:
Carl Ciarfalio
Stunts:
Brennan Dyson
Zack Duhame
Gary Kasper
Rick Sawaya
Mandy Kowalski
Anthony Molinari
Tim Sitarz
Eugene Collier
Kelly Bellini
Supervising Sound Editor:
Chad J. Hughes
Tattooist:
Paula Barkley
Transportation Coordinator:
Gene Alford
Wardrobe Supervisor:
Glenda Maddox
Writer:
Diana Erwin
Michael J. Pagan
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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