A work in constant progress (and occasional regress).
Release Date:
October 1, 2010
Original Title:
Chain Letter
Alternate Titles:
A Corrente do Mal
Chain Letter - The Art of Killing
Ölüm Zinciri
Genres:
Horror | Thriller
Production Companies:
Deon Taylor Enterprises
Tiger Tail Entertainment
Production Countries:
United States of America
Ratings / Certifications:
DE: 18 PT: M/18 US: R
Runtime: 96
Six friends receive a mysterious chain letter via text messaging and in their email accounts from a maniac who's hunting down teenagers who fail to forward his online chain letter. Who knew they should take the threats in the chain letter seriously? Or that chain letters using the teens' favorite technologies to track them can kill? This maniacal game pits friend against friend as they race to beat rules that seem impossible to escape. Break the chain, lose a life. Do you pass it on? Does friendship mean anything?
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ADR Editor:
Angela Hemingway
ADR Mixer:
Corey J. Grasso
Art Direction:
Sean Veale
Lisa Marinaccio
Assistant Art Director:
Samson Kellman
Assistant Hairstylist:
Desmond 'Dez' Wooden
Assistant Makeup Artist:
Jessica Bondi
Melissa Smith
Assistant Sound Editor:
Andrew Brown
Best Boy Electric:
Stu Brumbaugh
Greg Brezovec
Best Boy Grip:
Steve Redondo
Brett Carleton
Boom Operator:
Thomas Staunton
Camera Operator:
Richard W. Davis
Carpenter:
Bo Smith
Scot Francis
Edward S. Owens
Carlos S. Reyes
Casting:
Peter Wise
Corbin Bronson
Co-Producer:
Kelly Andrea Rubin
Colorist:
Keith Roddy
Construction Coordinator:
Samson Kellman
Costume Assistant:
Samuel Carmona
Ray Davis
Julie Suronen
Costume Design:
Chasia Kwame
Digital Intermediate Colorist:
Gareth Cook
Director:
Deon Taylor
Director of Photography:
Philip Lee
Dolby Consultant:
Bryan Arenas
Dolly Grip:
Jay Guffey
Editor:
James Coblentz
Joseph Takats
Electrician:
Chris Horton
Adam Duffy
Edwin Schenderlein
Ryan Norris
R. Dustin Sanchez
Michael Sherman
First Assistant "A" Camera:
Paul Janossy
First Assistant "B" Camera:
Scott Boettle
Coby Garfield
First Assistant Camera:
Matthew Pearce
First Assistant Director:
Corky Cronin
First Assistant Editor:
Emily Chiu
Foley Artist:
Vicki O'Reilly Vandegrift
Foley Editor:
Jonathan Pendergrass
Bobby Martinez
Foley Mixer:
Zach Michaelis
Gaffer:
Curtis Sherman
Brian Evans
Key Costumer:
Solomon Fobb
Key Grip:
Gary C. Beaird
Eduardo Barraza
Key Hair Stylist:
Karicean 'Karen' Dick
Key Makeup Artist:
Rachel Whitehurst
Location Manager:
John Grant
Denise Collins
Original Music Composer:
Vincent Gillioz
Producer:
Deon Taylor
Michael J. Pagan
Production Coordinator:
Terri L. Burns
Production Design:
George Goodridge
Property Master:
Seth Williams
Pyrotechnician:
Rocky Gehr
Scenic Artist:
Eddie Kingery
Script Supervisor:
Marcella Bremond
Christina Hall
Sculptor:
Danelle Vierkant
Second Assistant "A" Camera:
Dan Taylor
Second Assistant "B" Camera:
Jonathan Goldfisher
Second Assistant Camera:
James Schlittenhart
Second Assistant Director:
Ryan Page
Stephanie Tull
Second Second Assistant Director:
Sean P. Galvin
Second Unit Director:
Abigail Severance
Second Unit Director of Photography:
Christian Sebaldt
Set Dresser:
Carlos S. Carmona
Rodrigo Cabral
Sound Effects Editor:
Joshua Adeniji
Steven Iba
Sound Mixer:
Jason Gaya
Jonathan Wales
Thomas Pinney
Richard Kitting
Sound Re-Recording Mixer:
Richard Kitting
Special Effects:
J.D. Nielsen
Special Effects Coordinator:
James R. Bilz
Special Effects Makeup Artist:
Starr Jones
Tom Devlin
Robert Maverick
Rolf Peter Hausen
Michael Ross
Steadicam Operator:
Richard W. Davis
Stunt Coordinator:
Carl Ciarfalio
Stunts:
Zack Duhame
Brennan Dyson
Eugene Collier
Gary Kasper
Tim Sitarz
Anthony Molinari
Rick Sawaya
Mandy Kowalski
Kelly Bellini
Supervising Sound Editor:
Chad J. Hughes
Tattooist:
Paula Barkley
Transportation Coordinator:
Gene Alford
Wardrobe Supervisor:
Glenda Maddox
Writer:
Michael J. Pagan
Diana Erwin
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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