A work in constant progress (and occasional regress).
Release Date:
September 22, 2010
Original Title:
You Will Meet a Tall Dark Stranger
Alternate Titles:
Coneixaràs l'home dels teus somnis
Du kommer att möta en lång mörk främling
Férfit látok álmaidban
Incontrerai l'uomo dei tuoi sogni
Você Vai Conhecer o Homem dos Seus Sonhos
Vous allez rencontrer un bel et sombre inconnu
命中注定,遇見愛
遇上陌生情人
遭遇陌生人
Genres:
Comedy | Drama | Romance
Production Companies:
Atresmedia
Dippermouth
Gravier Productions
Imagina International
Mediapro
Sony Pictures Classics
Versátil Cinema
Production Countries:
Spain | United Kingdom | United States of America
Ratings / Certifications:
AT: AA DE: 12 GB: 12A IE: 12 KR: 18 KZ: Е18 LT: N-13 PT: M/12 US: R
Runtime: 98
Two married couples find only trouble and heartache as their complicated lives unfold. After 40 years of marriage, Alfie leaves his wife to pursue what he thinks is happiness with a call girl. His wife, Helena, reeling from abandonment, decides to follow the advice of a psychic. Sally, the daughter of Alfie and Helena, is unhappy in her marriage and develops a crush on her boss, while her husband, Roy, falls for a woman engaged to be married.
Art Department Assistant:
Natasha Jones
Art Direction:
Dominic Masters
Assistant Costume Designer:
Joaquin Ballabriga
Assistant Editor:
Kate Rose Itzkowitz
Assistant Location Manager:
Asha Sharma
Nicholas Wade
Tom Stourton
Assistant Production Coordinator:
Jo Gallagher
Associate Producer:
Mercedes Gamero
Eva Garrido
Best Boy Electric:
Kevin Edland
Boom Operator:
Shaun Mills
Camera Operator:
Pete Cavaciuti
Camera Trainee:
Susan MacDonald
Carpenter:
Graham Cole
Casting:
Gail Stevens
Patricia Kerrigan DiCerto
Juliet Taylor
Casting Assistant:
Toby Spigel
Casting Associate:
Colin Jones
Clapper Loader:
Sacha Jones
Co-Executive Producer:
Jack Rollins
Co-Producer:
Helen Robin
Nicky Kentish Barnes
Construction Manager:
Paul Duff
Costume Assistant:
Caroline Hickman
Kevin Pratten
Costume Design:
Beatrix Aruna Pasztor
Costume Supervisor:
Clare Spragge
Dialogue Editor:
Sylvia Menno
Director:
Woody Allen
Director of Photography:
Vilmos Zsigmond
Dolby Consultant:
Eric Vierhaus
Dressing Prop:
Mickey Pugh
Colin Bayliss
Stephen Conway
Editor:
Alisa Lepselter
Electrician:
John Antill
Ben Suter
George Bird
Executive Producer:
Javier Méndez
First Assistant Director:
Ben Howarth
First Assistant Editor:
Morgan Neville
Floor Runner:
Mariia Viita
Josey McNamara
Alex Paterakis
Focus Puller:
John Jordan
Foley Artist:
Jay Peck
Foley Editor:
Matthew Haasch
Rachel Chancey
Foley Recording Engineer:
Ryan Collison
Gaffer:
John Higgins
Hair Designer:
Sharon Martin
Hairstylist:
Francesco Alberico
Key Grip:
Kevin Fraser
Location Assistant:
Damon Crane
Location Coordinator:
Pippa Suren
Location Manager:
Michael Harm
Makeup & Hair:
Uxue Laguardia
Makeup Artist:
Sophie Slotover
Makeup Designer:
Sharon Martin
Producer:
Jaume Roures
Letty Aronson
Stephen Tenenbaum
Producer's Assistant:
Deborah Alexander
Production Accountant:
Pietro Lorino, Jr.
Louise O'Malley
Production Coordinator:
Francesca Dowd
Scott Kordish
Production Design:
Jim Clay
Production Office Assistant:
Angelika Schierz
Production Sound Mixer:
Peter Glossop
Projection:
Adrianne Jorge
Carl Turnquest
Property Master:
Alan Bailey
Rigging Gaffer:
Wayne Leach
Script Supervisor:
Kim Armitage
Second Assistant Director:
Olivia Lloyd
Set Decoration:
John Bush
Sound Assistant:
Jorge Adrados
Sound Editor:
David Wahnon
Sound Effects Editor:
Glenfield Payne
Sound Re-Recording Mixer:
Lee Dichter
Special Effects Supervisor:
Stuart Brisdon
Standby Art Director:
Richard Selway
Standby Carpenter:
John Heayn
Standby Painter:
Dean Dunham
Steadicam Operator:
Pete Cavaciuti
Still Photographer:
Keith Hamshere
Supervising Sound Editor:
Robert Hein
Third Assistant Director:
Dan Channing-Williams
Transportation Captain:
Roy Clarke
Unit Production Manager:
Tori Parry
Helen Robin
Writer:
Woody Allen
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.