A work in constant progress (and occasional regress).
Release Date:
November 1, 1957
Original Title:
Posledná bosorka
Genres:
Drama | History
Production Companies:
Filmové studio Barrandov
Slovenská filmová tvorba
Štúdio hraných filmov Bratislava
Production Countries:
Czechoslovakia
Ratings / Certifications:
N/A
Runtime: 96
This dramatic story is situated in the town of Trnava of the 18th century. Painter Peter paints an altar-piece of the Martyrdom of St. Juliet and his model is a young girl. This is much disliked by the clergy who unjustly accuse the girl of witchcraft. She is saved from being burnt at a stake by the students of the Trnava University.
Accountant:
Dita Tumová
Assistant Camera:
Jiří Štaud
Ladislav Vinklárek
Assistant Director:
Štefan Briestenský
Ján Lacko
Jozef Šafarka
Assistant Editor:
Margita Tomášková
Assistant Production Design:
Jiří Červík
Miloš Kalina
Conductor:
František Belfín
Construction Foreman:
Štefan Cicák
Costume Design:
Alžbeta Güntherová-Mayerová
Costumer:
Slávka Tišnovská
Director:
Vladimír Bahna
Director of Photography:
Václav Huňka
Editor:
Bedřich Voděrka
Gaffer:
Oto Pšenička
Lead Costumer:
Slávka Tišnovská
Lyricist:
Ján Smrek
Makeup & Hair:
Emília Bobeková
Anton Gendiar
Dušan Brodanský
Makeup Artist:
Gustav Hrdlička
Makeup Department Head:
Michal Jurkovič
Original Music Composer:
Šimon Jurovský
Production Assistant:
Ján Tomaškovič
Ľubomír Holec
Production Design:
Anton Krajčovič
Production Manager:
Eugen Bobek
Property Master:
František Kubrický
Props:
Pavol Zvozil
Screenplay:
Ivan Bukovčan
Script:
Graciana Vajcíková
Sculptor:
Vladimír Môťovský
Sound:
Rudolf Pavlíček
Still Photographer:
Jitka Ondrejkovičová
Story:
Dušan Kodaj
Unit Production Manager:
Eduard Ondrejkovič
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.