A work in constant progress (and occasional regress).
Release Date:
October 26, 2018
Original Title:
Another Day of Life
Alternate Titles:
Beste egun bat bizirik
D'une guerre l'autre
En dag till att leva
Még egy nap élet
Nodzīvot vēl vienu dienu
アナザー・デイ・オブ・ライフ
Genres:
Animation | Documentary | History
Production Companies:
Animationsfabrik
Kanaki Films
Platige Films
Puppetworks Animation Studio
Walking The Dog
Wüste Film
uMedia
Production Countries:
Belgium | Germany | Hungary | Poland | Spain
Ratings / Certifications:
BE: 14 DE: 12 DK: 15 FR: U NL: 12 PL: 12 SE: 15
Runtime: 86
In 1975, Ryszard Kapuściński, a veteran Polish journalist, embarked on a seemingly suicidal road trip into the heart of the Angola's civil war. There, he witnessed once again the dirty reality of war and discovered a sense of helplessness previously unknown to him. Angola changed him forever: it was a reporter who left Poland, but it was a writer who returned…
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Animation:
Olga Szablewicz-Pisuk
Art Direction:
Rafał Wojtunik
Book:
Ryszard Kapuściński
Casting:
Annelie Powell
Director:
Raúl de la Fuente
Damian Nenow
Director of Photography:
Raúl de la Fuente
Gorka Gómez Andreu
Editor:
Raúl de la Fuente
Executive Producer:
Raúl de la Fuente
Nadia Khamlichi
Uwe Kolbe
Adrian Politowski
Piotr Sikora
Björn Vosgerau
Gilles Waterkeyn
Lead Animator:
Miquel Cabot
Motion Capture Artist:
Mirosław Haniszewski
Vergil J. Smith
Tomasz Ziętek
Olga Bołądź
Rafał Fudalej
Paweł Paczesny
Jakub Kamieński
Original Music Composer:
Mikel Salas
Producer:
Eric Goossens
Jörn Radel
Anton Roebben
Stefan Schubert
Amaia Remírez
Jarosław Sawko
Sound Designer:
Oriol Tarragó
Sound Editor:
Martí Albert
Writer:
Amaia Remírez
Niall Johnson
David Weber
Damian Nenow
Raúl de la Fuente
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.