A work in constant progress (and occasional regress).
Release Date:
November 4, 2013
Original Title:
When Coal Was King
Ratings / Certifications:
N/A
Runtime: 60
Timeshift explores the lost world of coal mining and the extraordinarily rich social and cultural lives of those who worked in what was once Britain's most important industry. It's a story told through a largely forgotten film archive that movingly documents the final years of coal's heyday from the 1940s to the 1980s. One priceless piece of footage features a ballet performance by tutu-wearing colliers. Featuring contributions from those who worked underground, those who lived in the pit villages, those who filmed them at work and at play and those - like Billy Elliot writer Lee Hall - who have been inspired by what made coalfield culture so unique.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.