A work in constant progress (and occasional regress).
Release Date:
January 31, 2016
Original Title:
All Things Valentine
Genres:
Comedy | Romance | TV Movie
Production Companies:
Hallmark Media
Storybox Entertainment
Valentine Road Productions
Production Countries:
United States of America
Ratings / Certifications:
BR: L FR: U NL: AL US: G
Runtime: 85
Avery, a blogger with a string of disappointing Valentine’s Days, is ready to give up on love when she meets handsome veterinarian Brenden. When Avery finds out Brenden blames his recent break up on her blog and is the one leaving her angry comments, she begins to question whether the bond they’ve began to build is a true love story or yesterday’s news.
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"A" Camera Operator:
George Campbell
"B" Camera Operator:
Rob Crone
ADR Mixer:
Andy Welker
Accountant:
Svatia Sakarova
Animal Coordinator:
Ian Doig
Art Direction:
Kim Glennie
Assistant Accountant:
Shary Sison-Paguio
Assistant Costume Designer:
Emily Gray
Assistant Editor:
Lisa Pham Flowers
Sean Szutka
Kevin Tseng
Assistant Location Manager:
Steve Kinghorn
Assistant Production Coordinator:
Laura Obenaus
Adrian Bojidar
Assistant Property Master:
Alicia Jones
Assistant Set Decoration:
Gina Doty
Best Boy Electric:
Stephanie Ribeiro
Best Boy Grip:
Dorian Perodie
Boom Operator:
Sacha Rosen
Business Affairs Coordinator:
Marnie Young
Casting:
Penny Perry
Jackie Lind
Colorist:
Gary Shaw
Costume Design:
Tina Fiorda
Costume Set Supervisor:
Natasha Thirsk
Costumer:
Tilde Fiorda
Odessa Bennett
Craft Service:
Darren Shmyr
Creative Producer:
Bart Fisher
Dialogue Editor:
Christopher Cleator
Director:
Gary Harvey
Director of Photography:
Brendan Uegama
Dolly Grip:
Micah Llewellyn-Dance
Editor:
Ron Yoshida
Executive Producer:
Anne Carlucci
Extras Casting:
Kit Hayward
Extras Casting Assistant:
Amy Tinkskou
First Assistant "A" Camera:
Duncan Vogel
First Assistant "B" Camera:
Daniel Walsh
First Assistant Director:
Richard Worden
First Assistant Hairstylist:
Miranda Upton
Foley Artist:
Ian Mackie
Don Harrison
Foley Recording Engineer:
Rick Senechal
Gaffer:
Tracey Chapman
Generator Operator:
Brian Lymer
Grip:
Alicia C. Snee
Key Grip:
Brian A. Kuchera
Key Hair Stylist:
Debra Johnson
Key Makeup Artist:
Pamela M. Athayde
Location Manager:
Danny McWilliams
Music:
Gelsea Mae
Daniel Ross
Music Coordinator:
Sian O'Byrne
Music Supervisor:
Valerie Biggin
On Set Dresser:
Stephen Ostir
Online Editor:
Shaun Lang
Matthew Shuttleworth
Payroll Accountant:
Faiza Lalani
Post Production Coordinator:
Sepideh Merchant
Post Production Supervisor:
Dawn Knight
Jason Macintyre
Producer:
Harvey Kahn
Production Controller:
Marnie Termuende
Production Coordinator:
Yale Kussin
Production Design:
Joanna Dunn
Production Manager:
Jamie Lake
Production Sound Mixer:
Scott Aitken
Property Master:
Evan Allen
Script Supervisor:
Tara Dafoe
Second Assistant "A" Camera:
Izaiah Kane
Second Assistant "B" Camera:
Devon Mussett
Second Assistant Director:
Daniella Bonan
Set Decoration:
Heather Ohlin
Set Dresser:
Jordan Andrews
Songs:
Gelsea Mae
Sound Designer:
Craig George
Sound Editor:
Angelo Nicoloyannis
Sound Effects Editor:
Gregorio Gómez
Sound Mixer:
Scott Aitken
Sound Re-Recording Mixer:
Angelo Nicoloyannis
Greg Stewart
Steadicam Operator:
Rob Crone
Still Photographer:
Eike Schroter
Third Assistant Director:
Matt A. Tingey
Transportation Captain:
Cliff Brown
Transportation Coordinator:
Dean Fitzpatrick
Truck Costumer:
Clare Bygrove
Visual Effects Supervisor:
Barry Liu
Writer:
J.B. White
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
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Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.