A work in constant progress (and occasional regress).
Release Date:
November 25, 2016
Original Title:
Miss Sloane
Alternate Titles:
Dans la mire
El caso Sloane
Sola Contra El Poder
Мисс Слоун
斯隆女士
미스 슬로운
Genres:
Crime | Drama | Thriller
Production Companies:
Archery Pictures
Canal+
Ciné+
FilmNation Entertainment
France 2 Cinéma
France Télévisions Distribution
Transfilm
Production Countries:
France | United States of America
Ratings / Certifications:
AU: M BR: 14 CA: R CH: 12 DE: 12 ES: 12 FR: 12 GB: 15 HK: IIB IE: 15 IL: הותר לבני 14 ומעלה IT: T JP: G KR: 15 NL: 12 PT: M/12 RU: 18+ US: R
Runtime: 133
An ambitious lobbyist faces off against the powerful gun lobby in an attempt to pass gun control legislation.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
ADR Editor:
Roland Duboué
ADR Supervisor:
Clémence Stoloff
Art Direction:
Mark Steel
Assistant Art Director:
Natasha Peschlow
Assistant Camera:
Alan G. Kelly
Assistant Costume Designer:
Lou Decampo
Assistant Editor:
Andrei Lascu
Best Boy Electric:
Kevin Barnes
Best Boy Grip:
Jim Holmes
Boom Operator:
Thomas Gastinel
Jack Bourdon
Fanny Weinzaepflen
Carpenter:
Travis Staley
Casting:
Tiffany Little Canfield
Bernard Telsey
Conrad Woolfe
Casting Associate:
Jonathan Oliveira
Construction Coordinator:
Ross Fraser
Costume Design:
Georgina Yarhi
Costume Supervisor:
Robyn Rosenberg
Dialogue Editor:
Roland Duboué
Digital Effects Supervisor:
Matt Belbin
Philippe Thibault
Director:
John Madden
Director of Photography:
Sebastian Blenkov
Dolly Grip:
Ron Renzetti
Andrew Schauer
Editor:
Alexander Berner
First Assistant "A" Camera:
Ciarán Copelin
First Assistant "B" Camera:
Ari Magder
First Assistant Director:
Andrew M. Robinson
First Assistant Editor:
Kilian Wiedemann
Foley Editor:
Jérémy Babinet
Gaffer:
Michael L. Hall
Hair Department Head:
Cliona Furey
Key Grip:
Robert Johnson
Leadman:
Kevin Haeberlin
Lighting Technician:
Alex Lawrence
Line Producer:
Olivier Glaas
Makeup Department Head:
Liz Gruszka
Music Editor:
Cécile Coutelier
Original Music Composer:
Max Richter
Painter:
Clinton Guitard
Post Production Supervisor:
Amélie Dibon
Producer:
Ben Browning
Ariel Zeitoun
Kris Thykier
Production Coordinator:
Mary Fraser
Production Design:
Matthew Davies
Production Manager:
Robin M. Reelis
Rigging Gaffer:
Duane Gullison
Scenic Artist:
Jason Christpoher Kirk
Jak Oliver
Script Supervisor:
Susan Marucci
Second Assistant "A" Camera:
Andrew Lounsbury
Second Assistant Director:
Aric Dupere
Set Decoration:
Peter Nicolakakos
Set Designer:
Dan Norton
Set Dresser:
Sonja Narizni
Daniel Smallegange
Sound Re-Recording Mixer:
Dominique Gaborieau
Sound Recordist:
Anne Le Campion
Special Effects Supervisor:
Jeff Skochko
Steadicam Operator:
Sean Sealey
Still Photographer:
Kerry Hayes
Stunt Coordinator:
Jean Frenette
Stunt Driver:
Matthew James Gulbranson
Rick Kain
Supervising Dialogue Editor:
Bridget O'Driscoll
Supervising Sound Editor:
François Fayard
Third Assistant Director:
Nick Lopez
Visual Effects Editor:
Nadine Frève
Frédérique Schmidt
Visual Effects Producer:
Amelie Poitras
Visual Effects Supervisor:
Sébastien Bergeron
Writer:
Jonathan Perera
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.