A work in constant progress (and occasional regress).
Release Date:
July 1, 1997
Original Title:
Kiss or Kill
Alternate Titles:
키스 오어 킬
키스 올 킬
Genres:
Crime | Drama
Production Companies:
Australian Film Finance Corporation
Bill Bennett Productions
Production Countries:
Australia
Ratings / Certifications:
AU: MA15+ DE: 16 GB: 18 US: R
Runtime: 96
Two lovers, Nikki and Al, have a scam in which Nikki allows herself to be picked up by older men, drugs them, and, with Al's help, robs them. After accidentally killing one of her victims with an overdose, Nikki and Al are on the run.
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Additional Sound Re-Recordist:
Des Kennealy
Armorer:
Marcus Bosisto
Assistant Dialogue Editor:
Sonal Joshi
Nick Breslin
Assistant Editor:
Leigh Elmes
Co-Producer:
Corrie Soeterboek
Costume Supervisor:
Ruth De la Lande
Dialogue Editor:
Antony Gray
Gethin Creagh
Director:
Bill Bennett
Director of Photography:
Malcolm McCulloch
Editor:
Henry Dangar
Executive Producer:
Mikael Borglund
Gary Hamilton
First Assistant Director:
Robert Donaldson
Heather Oxenham
Hair Designer:
Jennifer Lamphee
Location Sound Recordist:
Toivo Lember
Makeup Designer:
Jennifer Lamphee
Post-Production Manager:
Helen Panckhurst
Producer:
Jennifer Cluff
Production Coordinator:
Kath McIntyre
Production Design:
Andrew Plumer
Production Manager:
Ann Folland
Second Assistant Director:
Christie McGuinness
Damien St Leger Kelly
Set Dresser:
Paula Williams
Tony Cronin
Sound Designer:
Wayne Pashley
Sound Editor:
Jenny T. Ward
Sound Effects Editor:
Peter Townend
Sound Mixer:
Martin Oswin
Standby Property Master:
John Santucci
Stunt Coordinator:
Johnny Hallyday
Third Assistant Director:
Jennifer Drake
Unit Manager:
Bruce Ross
Visual Effects:
Roger Cowland
Writer:
Bill Bennett
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.