A work in constant progress (and occasional regress).
Release Date:
January 17, 2001
Original Title:
Babykram ist Männersache
Alternate Titles:
Das Findelkind
Genres:
Comedy | Drama | TV Movie
Production Companies:
RTL
Studio Hamburg Filmproduktion
Production Countries:
Germany
Ratings / Certifications:
DE: 12
Runtime: 91
Arne and his younger brother Malte run the scrapyard they inherited from their parents on the outskirts of Hamburg and live a rather disoriented existence. One day, Malte finds an abandoned baby. He immediately takes the little one to his heart and wants to look after the child until he finds the birth mother. His brother Arne doesn't like the idea at all, but Malte wants to go through with the plan and even threatens to sell his brother the scrapyard. Disgruntled, Arne finally agrees and, as Malte is fully occupied with caring for the baby, sets off on a laborious search for the raven mother.
Assistant Director:
Beate Hoersch
Assistant Editor:
Silke Olthoff
Assistant Production Manager:
Stephanie Wellner
Camera Operator:
Martin Kukula
Casting:
Isabelle Schott
Commissioning Editor:
Monika Lackus
Peter Studhalter
Continuity:
Jana Romahn
Costume Design:
Annette von Bullion
Joan Clayton
Director:
Uwe Janson
Director of Photography:
Frank B. Bosselmann
Editor:
Marcel Peragine
Extras Casting:
Rabeah Hinrichs
Key Grip:
Mario Richter
Lighting Technician:
Reinhard Stern
Makeup Artist:
Sonia Salazar-Zivoder
Markus Scharping
Music:
Sheri Hagen
Music Supervision Assistant:
Thomas Hopf
Producer:
Martina Mouchot
Sabine Timmermann
Production Accountant:
Jens Praefke
Production Design:
Florian Langmaack
Production Driver:
Baris Kekilli
Caroline Morel
Kolja Matuschek
Production Manager:
Fritz Fuhlert
Property Master:
Christian Büchsenschütz
Set Dresser:
Rasmus Hirthe
Sound:
Ulrich Fengler
Standby Property Master:
Max Schmigalla
Unit Manager:
Frank B. Bosselmann
Writer:
Beate Langmaack
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.