A work in constant progress (and occasional regress).
Featuring:
Irán Eory, Enrique Álvarez Félix, Fernando Allende
Written by:
Edmundo Báez
Nené Cascallar
Tito Davison
Directed by:
Tito Davison
Release Date:
December 3, 1973
Original Title:
El amor tiene cara de mujer
Genres:
Drama | Romance
Production Companies:
Clasa Films Mundiales
Estudios Churubusco Azteca S.A.
Production Countries:
Mexico
Ratings / Certifications:
N/A
Runtime: 90
The owner of a beauty salon and her employees discuss their lives and their struggles to get ahead in life.
Only one movie has this title and I have seen it several times. This same title has been done several times as a soap opera and I have seen none of them. Everything started in Argentina back in 1964, with the first soap opera, scripted by Nene Cascallo, starring Norma Aleandro and Federico Luppi. Brazil did the same in 1966 and Mexico followed in 1971, starring Silvia Derbez, Iran Eory, Irma Lozano and Lucy Gallardo. Its success prompted the making of the movie, only this time without Derbez, so Lilia Michel took the role of Laura Valdez. Argentina re-made the soap opera in 1976 with Mariana Karr in one of the roles... Then Argentia re-made the remake in 1994 this time with Mexican actress Laura Flores. In 2007, Mexico made its first remake, loosely based on the original script, calling it "Palabra de mujer" or A WOMAN'S WORD, with Cynthia Klitbo instead of Anel, Edith Gonzalez instead of Iran Eory, etc. This time they were no longer hairstylists, but TV women, producers, writers, maybe to reflect the actual life of one of the co-writers Marthita Carrillo. No luck. Everybody complained about this version. But back to the movie, I will say that I enjoy the colors, hairdos and outfits. There are two cat fights, one between Victoria and Georgette and minutes later another one between Victoria and Maria Felix Jr, I mean, her son Enrique. In one scene Gloria, Sylvia Pasquel's friend, wears a coat in the exact same color as her hair!! I ask myself what could had happened if she had found gloves and boots to match! The whole movie is great! Gabriel Figueroa did the photography, so go figure!...
Art Direction:
Jorge Fernández
Camera Operator:
Manuel Santaella
Costume Design:
Julio Chávez
Georgette Somohano
Director:
Tito Davison
Director of Photography:
Gabriel Figueroa
Editor:
Carlos Savage
Executive Producer:
Héctor López
Music:
Antonio Díaz Conde
Novel:
Nené Cascallar
Production Design:
Jorge Fernández
Production Manager:
Héctor López
Writer:
Tito Davison
Edmundo Báez
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.