A work in constant progress (and occasional regress).
Release Date:
March 7, 2018
Original Title:
The Strangers: Prey at Night
Alternate Titles:
The Strangers: Part II
הזרים: טרף לילי
Genres:
Horror | Thriller
Production Companies:
Aviron Pictures
Bloom
Ingenious Media
Rogue Pictures
SoundNode
The Fyzz
White Comet Films
Production Countries:
United Kingdom | United States of America
Ratings / Certifications:
AT: 16 BR: 16 CA: 14A CH: 16 DE: 16 DK: 15 ES: 18 FI: K-16 FR: 12 GB: 15 HK: IIB IE: 16 IL: 16 IN: A IT: VM14 JP: R15+ LT: N-16 NL: 16 NO: 15 PH: R-16 RO: I.M.-18 RU: 18+ SE: 15 TH: 15 TR: 15+ UA: 18 US: R|NR
Runtime: 86
A family's road trip takes a dangerous turn when they arrive at a secluded mobile home park to stay with some relatives and find it mysteriously deserted. Under the cover of darkness, three masked killers pay them a visit to test the family's every limit as they struggle to survive.
Click each video panel to show or hide.
Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
ADR Mixer:
Aaron Southerland
Andy Welker
Art Department Coordinator:
Natalie LeCompte
Art Direction:
Paul Luther Jackson
Assistant Property Master:
Gabby Leithsceal
Associate Producer:
Ben Jacques
Best Boy Electric:
Lucas Ankney
Boom Operator:
Tash Ann
Camera Operator:
Bobby Boothe
Andreas Heger
Dave Schwandner
Kameron Mogadam
Casting:
Lauren Grey
Casting Associate:
Leslie Wasserman
Co-Producer:
Babak Eftekhari
Colorist:
Andy Lee
Costume Design:
Carla Shivener
Director:
Johannes Roberts
Director of Photography:
Ryan Samul
Dolly Grip:
Mike Dittiacur
Driver:
Brandon Leach
Editor:
Martin Brinkler
Executive Producer:
Trevor Macy
Ken Halsband
Alastair Burlingham
Charlie Dombek
Mark Kassen
William Sadleir
Jon D. Wagner
Jason Resnick
David Dinerstein
Brett Dahl
Bryan Bertino
First Assistant Director:
Ilyssa Peltz
Foley:
Daniela Giraldo
Daniel Jaramillo Gutierrez
Gaffer:
Andrew Hubbard
Hair Department Head:
Tanya Tieman
Hairstylist:
Samantha Maloney
Lindsey Howard
Key Costumer:
Candace N. Brown
Key Grip:
Jeff Fisher
Line Producer:
Jon D. Wagner
Makeup Department Head:
Jodi Byrne
Makeup Effects:
Beki Ingram
Music Editor:
Vanesa Lorena Tate
Music Supervisor:
Phil Canning
Original Music Composer:
Adrian Johnston
Producer:
James Harris
Robert Jones
Wayne Marc Godfrey
Ryan Kavanaugh
Mark Lane
Production Design:
Freddy Waff
Production Manager:
Brianna Lee Johnson
Production Supervisor:
SB Weathersby
Property Master:
Steve Ochoa
Prosthetics:
Dan Martin
Screenplay:
Bryan Bertino
Ben Ketai
Script Supervisor:
Ben Barker
Second Assistant Director:
Sophia Weathersby
Set Costumer:
Jessica Arthur
Set Decoration:
Kay Wolfley
Set Dresser:
J.T. Hathaway
Jennifer Puckett
Ryan Tudor
Brett P. Jackson
Set Medic:
Karen Diersing Roberts
Karen Burke
Sound Designer:
Richard Lewis
Steven Parker
Sound Editor:
Sebastián Vásquez
Sound Mixer:
Chris Polczinski
Sound Re-Recording Mixer:
Andrew Caller
Special Effects:
Dan Martin
Special Effects Makeup Artist:
David Greathouse
Special Effects Supervisor:
Wayne Beauchamp
Steadicam Operator:
David Shawl
Still Photographer:
Brian Douglas
Stunt Coordinator:
Cal Johnson
Stunt Double:
Jess Durham
Lydia Hand
Lloyd Pitts
R. Matthew Scheib
Jessica Merideth
Nikki Tomlinson
Stunts:
Jay Pearson
Underwater Camera:
David Shawl
Unit Publicist:
Brooke Ensign
Utility Stunts:
Nick DeKay
Jason Kehler
Jeremy Conner
Andy Rusk
Visual Effects:
Danny Duke
Andie Davies
Visual Effects Editor:
Karina Stefanisina
Visual Effects Supervisor:
Nicholas Hurst
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.