A work in constant progress (and occasional regress).
Release Date:
April 18, 2015
Original Title:
クレヨンしんちゃん オラの引越し物語 サボテン大襲撃
Alternate Titles:
Crayon Shin-Chan My Moving Story! Cactus Large Attack!
Eiga Crayon Shin-chan: Ora no Hikkoshi Monogatari - Saboten Dai Shuugeki
Shin-chan en México: El Ataque del Cactus Gigante
ชินจัง เดอะมูฟวี่ ตอน ผจญภัยต่างแดนกับสงครามกระบองเพชรยักษ์
映画 クレヨンしんちゃん オラの引越し物語 サボテン大襲撃
蜡笔小新 我的搬家物语 仙人掌大袭击!
극장판 짱구는 못말려 23기 : 나의 이사 이야기 선인장 대습격
극장판 짱구는 못말려 나의 이사 이야기 선인장 대습격
짱구는 못말려 23기: 나의 이사 이야기 선인장 대습격
짱구는 못말려 극장판 : 나의 이사 이야기 선인장 대습격
Genres:
Adventure | Animation | Comedy
Production Companies:
Shin-Ei Animation
TOHO
Production Countries:
Japan
Ratings / Certifications:
KR: ALL US: G
Runtime: 103
The Noharas must survive a hoard of man-eating killer cacti after Shin-chan's father relocates the family to Mexico for work.
Animation Director:
Takatoshi Omori
Katsunori Hara
Yuichiro Sueyoshi
Hideo Harigaya
Background Designer:
Kim Kyung-suk
Director:
Masakazu Hashimoto
Key Animation:
Takatoshi Omori
Tamako Horiuchi
Masahiro Shigemoto
Hiroshi Kugimiya
Takao Maki
Hiroshi Shimizu
Shizuka Hayashi
Yuichiro Sueyoshi
Aya Yamamoto
Hirofumi Masuda
Naoto Uchida
Yasuhiro Seo
Hideo Harigaya
Shuhei Yasuda
Yasutomo Irie
Yosuke Okuda
Eiko Yabuki
Mayuko Yamamoto
Ai Tsuruta
Daiji Suzuki
Tsutomu Nishiyama
Madoka Ozawa
Shuji Mizutake
Yuta Kanbe
Yuji Shibata
Eiji Yamamori
Hiroomi Yamakawa
Yo Konno
Akari Miyamura
Hidetoshi Ōmori
Mai Ogawa
Katsunori Hara
Yasuyuki Noda
Akira Yamashita
Maiko Kobayashi
Nishiki Itaoka
Tatsuya Oka
Kinuko Izumi
Toshihiko Masuda
Tetsuro Karai
Ryuuichi Makino
Masami Otsuka
Yuta Tsuchiya
Yasue Sosogi
Hideto Komori
Yoshihiko Takakura
Yumi Chiba
Original Story:
Yoshito Usui
Other:
Akihiro Kanetaka
Producer:
Seiji Yagi
Production Assistant:
Takumi Kitano
Writer:
Kimiko Ueno
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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