A work in constant progress (and occasional regress).
Release Date:
November 8, 2015
Original Title:
Chicago Boys
Genres:
Documentary
Production Countries:
Chile
Ratings / Certifications:
N/A
Runtime: 85
The economists behind the implementation of the most extreme capitalist system in the world observe with surprise the discontent of its countrymen. For the first time, they tell the story of how they became Milton Friedman's students in Chicago in the 1950s and what were they willing to do to pursue their extreme economic ideas, aided by Pinochet's dictatorship in the 70s. Unseen images and testimonies that allow us to understand the historic process that transformed the Chilean people and Chile in the country that it is today, an image of success and discontent.
Click each video panel to show or hide.
Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Additional Director of Photography:
David Bravo
Rafael Valdeavellano
Additional Sound Re-Recording Mixer:
Mauricio López
Director:
Rafael Valdeavellano
Carola Fuentes
Director of Photography:
Pablo Valdés
Editor:
Rafael Valdeavellano
Editorial Consultant:
Ricardo Acosta
Executive Producer:
Carola Fuentes
Rafael Valdeavellano
Other:
Juan Pablo Manríquez
Mario Puerto
Researcher:
Carola Fuentes
Screenplay:
Carola Fuentes
Sound Designer:
Mauricio López
Sound Post Production Coordinator:
Marcos De Aguirre
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.