A work in constant progress (and occasional regress).
Release Date:
November 9, 1997
Original Title:
Angels in the Endzone
Alternate Titles:
Les Ailes de la Victoire
Άγγελοι στη Μεγάλη Περιοχή
Genres:
Drama | Family | TV Movie
Production Companies:
Arts & Leisure Corporation
Endzone Productions
Walt Disney Television
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 87
The football team Jesse is on is terrible, and after the death of his father Jesse quits the team. Then angels come to help the team get better and nobody can see them but Jesse's little brother.
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Casting:
Jason La Padura
Natalie Hart
Co-Producer:
Irby Smith
Gary Stutman
Costume Coordinator:
Crystine Booth
Costume Designer:
Tom Bronson
Director:
Gary Nadeau
Director of Photography:
Ron Orieux
Editor:
Jeff Freeman
Executive Producer:
Roger Birnbaum
First Assistant Director:
Peter Dashkewytch
Hairstylist:
Malcolm Marsden
Key Costumer:
Lee Sollenberger
Local Casting:
Lynne Carrow
Lindsay Walker
Location Manager:
Dean Stoker
Makeup Artist:
Lisa Love
Original Music Composer:
Frédéric Talgorn
Producer:
Richard L. O'Connor
Production Coordinator:
Helen MaComb
Production Design:
David Fischer
Production Sound Mixer:
Sebastian Salm
Property Master:
Robert K. Smith
Script Supervisor:
Kimi Webber
Second Assistant Director:
Jacquie Gould
Set Decoration:
Marianne Kaplan
Special Effects Coordinator:
Andrew Chamberlayne
Stunt Coordinator:
Danny Virtue
Unit Production Manager:
George A. Grieve
Writer:
Larry Mintz
Alan Eisenstock
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.