A work in constant progress (and occasional regress).
Release Date:
November 15, 1990
Original Title:
Life Is Sweet
Alternate Titles:
Das süße Leben
Et herlig liv
Life Is Sweet
인생은 향기로워
Genres:
Comedy | Drama
Production Companies:
Film4 Productions
Thin Man Films
Production Countries:
United Kingdom
Ratings / Certifications:
GB: 15 NL: 16 US: R
Runtime: 103
Just north of London live Wendy, Andy, and their twenty-something twins, Natalie and Nicola. Wendy clerks in a shop, Andy is a cook who forever puts off home remodeling projects, Natalie is a plumber and Nicola is jobless. This film is about how they interact and play out family, conflict and love.
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Additional Script Supervisor:
Joan Atkinson
Additional Still Photographer:
John Gardey
Art Department Assistant:
Debbie Wilson
Art Direction:
Sophie Becher
Assistant Accountant:
Juanita Parker
Assistant Costume Designer:
Debbie Scott
Assistant Director:
Hedda Moore
Assistant Editor:
Jackie Vance
Assistant Sound Editor:
Penny Woolley
Best Boy Electrician:
Martin Duncan
Boom Operator:
Andrew Morris
Camera Operator:
Dick Pope
Casting Director:
Sue Whatmough
Clapper Loader:
Lucy Bristow
Conductor:
David Snell
Construction Buyer:
Trisha Edwards
Construction Manager:
Ken Marples
Costume Design:
Lindy Hemming
Director:
Mike Leigh
Director of Photography:
Dick Pope
Dressing Prop:
Piero Jamieson
Driver:
Phil Allchin
Editor:
Jon Gregory
Electrician:
Dave Owen
First Assistant Director:
Gus Maclean
First Assistant Editor:
Stephen Evans
Focus Puller:
Gary Turnbull
Foley Editor:
Julian Rodd
Gaffer:
John Parsons
Generator Operator:
Lenny O'Brien
Graphic Designer:
Eve Stewart
Grip:
Jay Williams
Location Manager:
Peter Tullo
Makeup & Hair:
Carolyne Walsh
Christine Blundell
Music:
Julian Wastall
Original Music Composer:
Rachel Portman
Producer:
Simon Channing Williams
Producer's Assistant:
Lynne Cruddas
Production Accountant:
William Tyler
Production Coordinator:
Deborah Harding
Production Design:
Alison Chitty
Production Runner:
James Bloom
Nicholas Shaw
Production Supervisor:
Lorraine Goodman
Production Trainee:
Fiona Walsh
Jaya Bishop
Property Master:
David Balfour
Script Supervisor:
Heather Storr
Second Assistant Director:
Simon Moseley
Sound Editor:
Sue Baker
Sound Engineer:
Dick Lewzey
Sound Re-Recording Mixer:
Peter Maxwell
Sound Recordist:
Malcolm Hirst
Standby Carpenter:
Kevin Hoar
Standby Painter:
Bob Starrett
Standby Property Master:
Pat Harkins
Steve Wheeler
Standby Rigger:
Bill Howe
Still Photographer:
Simon Mein
Stunt Coordinator:
Peter Brayham
Technical Advisor:
Sandy Garfield
Third Assistant Director:
David Gilchrist
Title Designer:
Chris Allies
Wardrobe Supervisor:
Anthony Black
Writer:
Mike Leigh
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.