A work in constant progress (and occasional regress).
Release Date:
November 13, 1981
Original Title:
レイプウーマン 淫らな日曜日
Alternate Titles:
Rapewoman: midarana nichiyobi
Reipuuman midarana nichiyobi
Genres:
Crime | Drama
Production Companies:
Nikkatsu Corporation
Production Countries:
Japan
Ratings / Certifications:
N/A
Runtime: 68
A single woman starts receiving obscene phone calls at home. Feeling fearful she stays at the apartment of her best friend but somehow the pervert starts calling her there too. Feeling hopeless she gives in and agrees to meet at a restaurant. But when the woman and her friend arrive they discover it is managed by the man they both had relationships with. This was why they were let go from their previous jobs. They both decide it’s time for a little payback.
Art Direction:
Hiroshi Tokuda
Assistant Director:
Naosuke Kurosawa
Director:
Yasuaki Uegaki
Director of Photography:
Nobumasa Mizunoo
Editor:
Shinji Yamada
Original Music Composer:
Hachirō Kai
Producer:
Akira Miura
Screenplay:
Setsuo Seyama
Susumu Saji
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.