A work in constant progress (and occasional regress).
Featuring:
Zarli Carigiet, Valerie Steinmann, Erika Halm
Written by:
Kurt Früh
Jean-Pierre Gerwig
Directed by:
Kurt Früh
Release Date:
March 16, 1962
Original Title:
Es Dach überem Chopf
Alternate Titles:
Es Dach überem Chopf
Genres:
Comedy | Drama
Production Companies:
Gloria Film
Praesens-Film
Production Countries:
Switzerland
Ratings / Certifications:
N/A
Runtime: 106
A poor family with 6 kids that live in a ramshackle hut are suddenly offered a nice flat for cheap - with the landlord hoping they'll drive away their new neighbors whom he wants out of his building.
The Swiss film is nearly unknown on the world film market. This is especially true for the "Golden Age" of Swiss Film in the 40ies and the 50ies. Franz Schnyder's "Ueli" movies had been put already early of VHS, strangely enough in Japan, but why didn't anybody come to the idea to send the films of Switzerland's greatest film director, Kurt Früh (1915-1979), around the world? Früh's work comprises stylistically influences from Italian Neo-Realism (Bäckerei Zürrer, 1957) up to Nouvelle Vague (Dällebach Kari, 1970; Der Fall, 1972), but always remained original, scooped from the power of the director's experiences with the people from the street, the mavericks, the bums, the jerks and the freaks. All of them have been treated very well by Früh in his films - so well that the director decided to invent as an own genre "Märchenfilme" (fairy-tale films). Nevertheless one feels behind the pictures that the miracles do not only happen in order to satisfy the public, but it was the director who needed them mostly. However, in his film which he called biographical, "Dällebach Kari" (1970), there was no happy-end anymore possible. Too honest was the director which the story, because it resembled his own in several essential points. Kurt Früh's work, that is: 16 feature-long movies, a good dozen of never published early documentaries and advertisement movies, several theater pieces, novels, a small volume of poems and and also small book called "Rückblenden" (Flash-backs) in which Früh describes the development of the Swiss film, starting with the Communist "Arbeiterbühne" and ending up in the film of the early 70ies. Unfortunately, there is one single film company in Switzerland who possesses the copyrights of all Früh movies and sells them to horrific prices (about 2-3 times as much as as new US-releases). Moreover, they have refused the idea to subtitle these movies and distribute them on the international market. In this way, it is possible still in these days of the Third Millennium that a world-class director's life-work can remain practically fully unknown. This is another of many cases which are truly unique for Switzerland - but there is absolutely no reason to be proud of that.
Director:
Kurt Früh
Director of Photography:
Emil Berna
Editor:
Hans-Heinrich Egger
Original Music Composer:
Walter Baumgartner
Writer:
Kurt Früh
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.