Reality+ (2025) [N/A]

Release Date:
January 1, 2025

Original Title:
Reality+

Genres:
Science Fiction

Production Companies:
Mezzanine Films

Production Countries:
France

Ratings / Certifications:
KR: 15 

Runtime: 22

Vincent, a young Parisian uncomfortable with his appearance, installs a brain chip named Reality+ which allows users to see themselves and fellow users with their dream body. However, Reality+ only works over 12-hour intervals, proving infuriating for Vincent as he falls for Stella, another user.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

Art Direction:
Yann Biquand

Assistant Editor:
Mélanie Moulin

Assistant Location Manager:
Vivien Loiseau

Camera Operator:
Philip Lozano

Casting:
Swan Pham
Léa Coquin

Colorist:
Pascal Nowak

Costume Design:
Fabienne Josserand

Costumer:
Sandrine Douat

Digital Compositor:
Luddnel Magne

Director:
Coralie Fargeat

Director of Photography:
Philip Lozano

Editor:
Charlotte Rembauville

Executive Producer:
Didier Hoarau

First Assistant Director:
Christian Alzieu

Foley Mixer:
Julien Martin

Grip:
Lucas Bruneteau

Hairdresser:
Cécilia Svahn

Key Makeup Artist:
Frédérique Foglia

Matte Painter:
Charles-Henri Vidaud

Original Music Composer:
Walt Fermaitre

Producer:
Jérôme Lateur

Production Design:
Pierre Quefféléan

Production Manager:
Zacharie Cortes

Property Buyer:
Julien Joanny

Script Supervisor:
Isabelle Aymard

Second Assistant Director:
Haiga Jappain

Sound Designer:
Yohann Bernard

Sound Mixer:
Benjamin Caillaud

Sound Re-Recording Mixer:
François-Joseph Hors

Special Effects Makeup Artist:
Jean-Christophe Spadaccini
Denis Gastou

Special Effects Supervisor:
Sébastien Drouin

Supervising Producer:
Katia Sourzac

Third Assistant Director:
Laurine Sisternas

Unit Manager:
Erwan Hiernard

Writer:
Coralie Fargeat

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.