A work in constant progress (and occasional regress).
Release Date:
January 1, 2025
Original Title:
Reality+
Genres:
Science Fiction
Production Companies:
Mezzanine Films
Production Countries:
France
Ratings / Certifications:
KR: 15
Runtime: 22
Vincent, a young Parisian uncomfortable with his appearance, installs a brain chip named Reality+ which allows users to see themselves and fellow users with their dream body. However, Reality+ only works over 12-hour intervals, proving infuriating for Vincent as he falls for Stella, another user.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Art Direction:
Yann Biquand
Assistant Editor:
Mélanie Moulin
Assistant Location Manager:
Vivien Loiseau
Camera Operator:
Philip Lozano
Casting:
Swan Pham
Léa Coquin
Colorist:
Pascal Nowak
Costume Design:
Fabienne Josserand
Costumer:
Sandrine Douat
Digital Compositor:
Luddnel Magne
Director:
Coralie Fargeat
Director of Photography:
Philip Lozano
Editor:
Charlotte Rembauville
Executive Producer:
Didier Hoarau
First Assistant Director:
Christian Alzieu
Foley Mixer:
Julien Martin
Grip:
Lucas Bruneteau
Hairdresser:
Cécilia Svahn
Key Makeup Artist:
Frédérique Foglia
Matte Painter:
Charles-Henri Vidaud
Original Music Composer:
Walt Fermaitre
Producer:
Jérôme Lateur
Production Design:
Pierre Quefféléan
Production Manager:
Zacharie Cortes
Property Buyer:
Julien Joanny
Script Supervisor:
Isabelle Aymard
Second Assistant Director:
Haiga Jappain
Sound Designer:
Yohann Bernard
Sound Mixer:
Benjamin Caillaud
Sound Re-Recording Mixer:
François-Joseph Hors
Special Effects Makeup Artist:
Jean-Christophe Spadaccini
Denis Gastou
Special Effects Supervisor:
Sébastien Drouin
Supervising Producer:
Katia Sourzac
Third Assistant Director:
Laurine Sisternas
Unit Manager:
Erwan Hiernard
Writer:
Coralie Fargeat
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.