A work in constant progress (and occasional regress).
Release Date:
April 20, 2010
Original Title:
Cheech & Chong's Hey Watch This
Alternate Titles:
Cheech & Chong's Hey Watch This
Cheech and Chong's Hey Watch This
Genres:
Comedy | Documentary
Production Companies:
Anonymous Content
Cheech & Chong, LLC
Lantern Entertainment
Mouseroar
The Management Group
The Weinstein Company
Production Countries:
United States of America
Ratings / Certifications:
US: R
Runtime: 83
A documentary based on Cheech and Chong's "Light Up America" reunion tour.
Assistant Camera:
Jarrod Oswald
Theda Cunningham
Assistant Production Coordinator:
Elizabeth Kuriakose
Boom Operator:
Adam Risner
Camera Operator:
Gary Hatfield
Homer Martin
Peter Simonite
Co-Producer:
Bob Fisher
Anne Estonilo
Digital Imaging Technician:
Jeffrey R. Clark
Digital Intermediate Colorist:
Blerti Murataj
Director:
Christian Charles
Director of Photography:
Shane Hurlbut
Editor:
Kyle Gilman
Executive Producer:
Barry Gordon
Ben Feigin
Josh Klein
Paris Chong
Harvey Weinstein
Bob Weinstein
First Assistant Director:
David Nelson
Line Producer:
Bob Fisher
Location Sound Mixer:
Scott Szabo
Makeup Artist:
Begona De Ubieta
Christine Stafford
Music Consultant:
David Hnatiuk
Original Music Composer:
John Swihart
Post Production Supervisor:
Anne Estonilo
Producer:
Christian Charles
Lenny Beckerman
Production Coordinator:
Shannon Blackburn
Property Master:
Peter Torres
Second Assistant Director:
Travis Carr
Sound Re-Recording Mixer:
Rich Cutler
Steadicam Operator:
Glenn Brown
Title Designer:
Bill Perkins
Unit Production Manager:
Bob Fisher
Wardrobe Supervisor:
Kristin Nelson
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.