A work in constant progress (and occasional regress).
Featuring:
Shweta Tripathi, Mahabanoo Mody-Kotwal, Vipin Sharma
Written by:
Pratyusha Gupta
Manju Parvathy Iyer
Heena Kohli
Directed by:
Pratyusha Gupta
Release Date:
December 31, 2014
Original Title:
Safar
Genres:
Drama
Production Companies:
The London Film School
Production Countries:
India | United Kingdom
Ratings / Certifications:
N/A
Runtime: 26
Determined to carve out a better future for herself, teenage Gouri leaves behind a life of prostitution that was forced upon her at a young age and takes a job as a caregiver for a mistrusting elderly widow. But just as she starts to find her footing in this new life, Gouri’s past rears its ugly head again. Skillful direction and understated performances shine in this nuanced exploration of the challenges and triumphs of starting over.
Safar is a film about a sixteen year old girl, Gouri, who comes from a small village in the South of India. Sold by her parents to God as a part of the Devadasi tradition and forced into prostitution at a young age, the film begins when Gouri decides to change the course of her life. She leaves the seedy interiors of her friend Lakshmi's home to begin work as a maid with Dhan, an old lady who has just lost her husband. But just as she seems to find her feet, her past rears its ugly head again. While Safar is the personal story of a young Hindu girl Gouri, it is set against the backdrop of the city of Mumbai. A city that is thronged by thousands of people everyday, people from different parts of the country, people with very different class, caste, social and religious backgrounds. Through Gouri's interactions with Dhan, an old Parsi lady, and Salim, a middle-aged Muslim taxi driver, individual and shared experiences of loneliness, longing and the indomitable human spirit come alive in this gargantuan city.
Cinematography:
Pooja S Gupte
Co-Writer:
Pratyusha Gupta
Dialogue:
Heena Kohli
Director:
Pratyusha Gupta
Producer:
Sumit Gyanchandaney
Writer:
Pratyusha Gupta
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.