A work in constant progress (and occasional regress).
Release Date:
January 1, 1986
Original Title:
Filmfinish
Production Countries:
Italy
Ratings / Certifications:
N/A
Runtime: 12
This film was constructed using the so-called “photo-finish” technique employed in sporting events. The same principle was applied, precisely, to the motion picture camera. The subjects are explored and self-explored using a thin slit arranged horizontally halfway along the aperture plate as they enter the motion picture camera itself. The images then are formed as an extremely dense series of lines as in a primitive video screen, such as the Nipkow. The cinematic rhythms of the film vary with the accelerations and decelerations imposed beyond the synchronism between movie camera and subject: with motion from top to bottom, or else with the movie camera lying sideways, (in that case the line is vertical) then, from left to right and vice versa. Of course without a shutter or claw [in the camera]. This filmic technique is well known in scientific cinematography, and it is this very combination that I most urgently desired to encompass in my graphic compositional concerns.
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.