A work in constant progress (and occasional regress).
Release Date:
August 21, 2015
Original Title:
Operator
Alternate Titles:
Cross the Line
Operator - Codice d'emergenza
Operator - Wettlauf gegen die Zeit
Genres:
Action | Drama | Thriller
Production Companies:
DV3 Productions
GA2 Productions
Status Media & Entertainment
The Forgery
Production Countries:
United States of America
Ratings / Certifications:
DE: 16 JP: G KR: 15 NL: 16
Runtime: 88
When the daughter of veteran 911 call center operator Pamela, and her estranged husband Jeremy, a Senior Police Officer, is kidnapped and held hostage, they are left desperate, with no choice but to follow the kidnapper's rules: send messages through dispatch for all police and fire units to scatter to remote locations throughout the city where they are met with chaos. Not knowing who or why, they must race against the clock to make the choice of their lives: save the city — or save their daughter.
Art Department Production Assistant:
Sarah Crawford
Rachel Bowland
Mary Ellen Myers
Daniel Scates
Assistant Chef:
Ann Fields
Assistant Costume Designer:
Aaliyah Taylor
Assistant Craft Service:
Ann Fields
Assistant Editor:
Jonathan Silva
Kurtis Watkins
Lee Garmon
Associate Producer:
Taylor Owenby
Dwain Worrell
Best Boy Electric:
Josh Saideman
Best Boy Grip:
Josh Saideman
Boom Operator:
Serena Spennenberg
Camera Intern:
Blair Winders
Camera Operator:
Lee Garmon
Daniel Zollinger
Ryan Monolopolus
Carpenter:
Garrett Hartle
Mark Malek
Casting Director:
Lauren De Normandie
Catering:
Tricia Sherwood
Colorist:
Obin Olson
Costume Designer:
Peri Richards
Costumer:
Cassandra Russell
Craft Service:
Tricia Sherwood
Digital Imaging Technician:
Kurt Watkins
Director:
Amariah Olson
Obin Olson
Director of Photography:
Amariah Olson
Obin Olson
Editor:
Obin Olson
Amariah Olson
Executive Producer:
C. Lorence Olson
First Assistant "A" Camera:
Samuel Laubscher
First Assistant "B" Camera:
David Tabor
First Assistant Director:
James Grayford
Gaffer:
Jean-Paul Bernard
Grip:
Bo Hallen
Will Culick
Hair Department Head:
Staci Witt
Key Costumer:
Ashley Nicole Allen
Key Makeup Artist:
Lauren Scarbrough
Leadman:
Matt Brohammer
Line Producer:
Timothy P. Haskins
Local Casting:
Carmen Matheny
Location Manager:
Iman Asgari
Makeup & Hair Assistant:
Al Scott
Makeup Department Head:
Renonda Anderson
Original Music Composer:
George Kallis
Police Consultant:
David Alessi
Post Production Supervisor:
Obin Olson
Producer:
Timothy Woodward Jr.
Carsten H.W. Lorenz
Amariah Olson
Obin Olson
Production Accountant:
Lisa Wright
Production Assistant:
Lydia Elmore
Dwan Young
Eden Odom
Claire Pope
Samuel Oden
Nicole 'Colby' Bachiller
Lauren Lieb
Production Coordinator:
Phoebe Jones
Production Design:
Molly Coffee
Property Master:
Victoria Coffee
Scenic Artist:
Thomas Trinh
Screenplay:
Dwain Worrell
Anthony Feole
Amariah Olson
Obin Olson
Script Supervisor:
Carleen Brown
Second Assistant Director Trainee:
Savannah Cyree
Set Decoration:
Molly Coffee
Set Decoration Buyer:
Jennifer Chandler
Set Dresser:
Kathleen Cole
Ted Pfeifer
Set Medic:
Simon McCullough
Samuel Jacobs
Sound Mixer:
Amariah Olson
MacAulay Flynt
Special Effects Assistant:
Brian Alexander
Special Effects Coordinator:
Conley Wilson
Stunt Coordinator:
Johnny Becker
Stunt Double:
Joe Green
Will Bowman
Stunt Driver:
George A. Sack
Michael Long
Stunts:
Michael Oleniewski
April Whatley
Josh Porter
Chase Bidwell
Transportation Coordinator:
Iman Asgari
Unit Production Manager:
Timothy P. Haskins
Visual Effects Supervisor:
Amariah Olson
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
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