A work in constant progress (and occasional regress).
Release Date:
December 14, 1996
Original Title:
モスラ
Alternate Titles:
Mosura
Mothra
Mothra - Das Siegel der Elias
Mothra's Rebirth
Mothra: Das Siegel der Elias
Mothra: The Seal of the Elias
Mothra: the Queen of Monsters
Mothras återfödelse
Rebirth of Mothra 1
Rebirth of Mothra I
Renascimento de Mothra
Genres:
Action | Adventure | Family | Fantasy | Science Fiction
Production Companies:
Toho Pictures
Production Countries:
Japan
Ratings / Certifications:
DE: 12
Runtime: 104
A new Mothra takes to the air and battles against Desghidorah to save all of humanity.
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Assistant Director:
Atsushi Kaneshige
Hiroshi Okamoto
Mitsuru Shimada
Assistant Director of Photography:
Mitsuru Kondo
Sueyuki Yamaguchi
Takeshi Oki
Motonobu Kiyoku
Assistant Gaffer:
Takahiro Sekino
Koji Choya
Hidenobu Tomikawa
Keiji Kato
Atsushi Ogasawara
Tsuyoshi Kage
Associate Producer:
Ritsuko Suzuki
Director:
Okihiro Yoneda
Director of Photography:
Yoshinori Sekiguchi
Editor:
Nobuo Ogawa
Executive Producer:
Shogo Tomiyama
First Assistant Director:
Kunio Miyoshi
Lighting Manager:
Soichiro Yamazaki
Lighting Technician:
Teruo Osawa
Lyricist:
Shinichi Sekizawa
Tomoyuki Tanaka
Ishirō Honda
Ginka Yo
Music:
Yūji Koseki
Music Arranger:
Toshiyuki Watanabe
Music Producer:
Masao Iwase
Kyoko Kitahara
Original Music Composer:
Toshiyuki Watanabe
Akiko Yano
Original Story:
Tomoyuki Tanaka
Producer:
Hiroaki Kitayama
Tomoyuki Tanaka
Production Design:
Kyōko Heya
Production Manager:
Kôji Maeda
Screenplay:
Masumi Suetanii
Songs:
Akiko Yano
Sound Mixer:
Akihiko Ono
Sound Recordist:
Kazuo Miyauchi
Takashi Kuno
Akiyoshi Watanabe
Mitsugu Shirotori
Special Effects:
Koichi Kawakita
Kenji Suzuki
Mitsuo Miyagawa
Hiroshi Yamamoto
Chiharu Takasumi
Satoshi Narumi
Yutaka Suzuki
Makoto Funahashi
Hajime Hori
Atsushi Okamoto
Special Effects Assistant:
Kenji Suzuki
Visual Effects:
Kenji Suzuki
Koichi Kawakita
Visual Effects Director:
Koichi Kawakita
Kenji Suzuki
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.