A work in constant progress (and occasional regress).
Featuring:
Joe Penny, Wes Ramsey, Sean Mahon
Written by:
Chase Parker
Directed by:
Ayton Davis
Release Date:
March 24, 2007
Original Title:
Reign of the Gargoyles
Alternate Titles:
Vorthon, König der Gargoyles
몬스터 트루퍼스
Genres:
Action | Adventure | Fantasy
Production Companies:
BUFO
Concrete Productions
Sci Fi Pictures
Unified Film Organization
Production Countries:
Bulgaria | United States of America
Ratings / Certifications:
DE: 16 US: PG-13
Runtime: 88
During World War 2 a group of brave US Airmen are downed in Nazi controlled Europe, after their aircraft is attacked by Nazi-controlled mythological Gargoyles.
One of Himmler's grim Nazi relic hunting teams managed to unleash, but not control, a demonic force in castle mountain caves in occupied continental Europe. It breathes life into gargoyles, which terrorize not only the area but also passing allied bombers. Operating from Kent, first an RAF squad and then a USAF squad sent to rescue them suffer heavy losses. Crash survivors combine, advised by local resistance and legend, in a desperate fight against the hell-breed, with rebellious ace pilot Will in the ultimate star part.
"A" Camera Operator:
Lorenzo Senatore
"B" Camera Operator:
Anton Bakarski
ADR Editor:
Eric Lalicata
ADR Mixer:
Matthew C. Beville
Art Department Coordinator:
Emil Gigov
Art Direction:
Mitko Mitev
Best Boy Electric:
Dimitar Cvetkov
Best Boy Grip:
Kiril Kurtov
Boom Operator:
Dimitar Vasiliev
Casting:
Rob Richards
Mariana Stansheva
Colorist:
Michael Volland
Costume Designer:
Irena Veselinova
Creature Design:
Jesse Toves
Dialogue Editor:
Eric Lalicata
Director:
Ayton Davis
Director of Photography:
Lorenzo Senatore
Draughtsman:
Ivan Stavrev
Editor:
Matt Michael
Electrician:
Dimitar Liubomirov Petrov Zeiss
Emil Spasov
Executive Producer:
T.J. Sakasegawa
Extras Casting:
Ivo Simeonov Nikolov
First Assistant "A" Camera:
Alexander Alexandrov
First Assistant "B" Camera:
Miroslav Stoilov
First Assistant Director:
Todor Chapkanov
Foley Artist:
Shelley Roden
Ginger Geary
Foley Mixer:
Matthew C. Beville
Gaffer:
Konstantin Popov
Grip:
Dinitar Dimitrov
Dimitar Vuchov
Key Grip:
Vasil Galabov
Key Hair Stylist:
Mariana Love
Key Makeup Artist:
Mariana Love
Line Producer:
John Cappilla
Location Manager:
Tzvetozar Evtimov
Makeup & Hair:
Tatyana 'Tita' Sleptsova
Daniela Avramova
Music:
Michael Rubino
Online Editor:
Luke Guidici
Post Production Supervisor:
Larry Ferguson Jr.
Producer:
Jeffery Beach
Phillip J. Roth
Production Design:
Kess Bonnet
Production Sound Mixer:
Emil Evtimov
Property Master:
Angel Manov
Second Assistant "A" Camera:
Vladislav Mateev
Second Assistant "B" Camera:
Hristo Genkov
Second Assistant Director:
Ivan Mitov
Second Second Assistant Director:
Mariana Vodenicharova
Sound Designer:
Mark Threshold
Patrick McNulty
Sound Effects Editor:
Brian Dunlop
Patrick Dunnam
Tim Young
Sound Re-Recording Mixer:
Eric Lalicata
Steadicam Operator:
Lorenzo Senatore
Still Photographer:
Alexandra Bachvarova Trifonova
Supervising Sound Editor:
Eric Lalicata
Transportation Coordinator:
Plamen Slavov
Visual Effects:
Joseph J. Lawson
Visual Effects Producer:
P.J. Foley
Visual Effects Supervisor:
Ryan Spike Dauner
Wardrobe Supervisor:
Hristina Krumova
Writer:
Chase Parker
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.