A work in constant progress (and occasional regress).
Release Date:
February 9, 1990
Original Title:
Stanley & Iris
Alternate Titles:
Letters
Stanley and Iris
Union Street
Genres:
Drama | Romance
Production Companies:
Lantana Productions
Metro-Goldwyn-Mayer
Star Partners II Ltd.
Production Countries:
United States of America
Ratings / Certifications:
CA: 18A DE: 12 PT: M/12 US: PG-13
Runtime: 104
An illiterate cook at a company cafeteria tries for the attention of a newly widowed woman. As they get to know one another, she discovers his inability to read. When he is fired, she takes on trying to teach him to read in her kitchen each night.
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Art Direction:
Alicia Keywan
Eric W. Orbom
Associate Producer:
Jim Van Wyck
Camera Operator:
Harald Ortenburger
Casting:
Dianne Crittenden
Costume Design:
Theoni V. Aldredge
Director:
Martin Ritt
Director of Photography:
Donald McAlpine
Editor:
Sidney Levin
Executive Producer:
Patrick J. Palmer
First Assistant Camera:
Bruce MacCallum
First Assistant Director:
Jim Van Wyck
Hairstylist:
Kathryn Blondell
Loop Group Coordinator:
Illya Woloshyn
Makeup & Hair:
Steve Atha
Makeup Artist:
Lee C. Harmon
Music Editor:
Kenneth Wannberg
Novel:
Pat Barker
Original Music Composer:
John Williams
Producer:
Arlene Sellers
Alex Winitsky
Production Controller:
Lacia Kornylo
Production Design:
Joel Schiller
Screenplay:
Irving Ravetch
Harriet Frank Jr.
Script Supervisor:
Kay Chapin
Susanna David
Second Assistant Camera:
Chaim Kantor
Second Assistant Director:
Princess O'Mahoney
Tom Quinn
Second Second Assistant Director:
Gregory Palmer
Second Unit Director:
Patrick J. Palmer
Set Decoration:
Steve Shewchuk
Leslie Bloom
Sound Mixer:
Richard Lightstone
Special Effects Supervisor:
David Neil Trifunovich
Steadicam Operator:
Craig DiBona
Still Photographer:
Takashi Seida
S. Karin Epstein
Stunt Coordinator:
Jack Gill
Supervising Sound Editor:
David B. Cohn
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.