A work in constant progress (and occasional regress).
Release Date:
December 15, 1966
Original Title:
Gammera the Invincible
Alternate Titles:
Gamera the Invincible
Gammera
Genres:
Action | Horror | Science Fiction
Production Companies:
Daiei Film
Harris Associates
Ross-Gaffney, Inc.
Titan Productions, Inc.
World Entertainment Corp.
Production Countries:
Japan | United States of America
Ratings / Certifications:
N/A
Runtime: 86
An atomic explosion awakens Gammera, a giant fire breathing turtle monster from his millions of years of hibernation.
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Associate Producer:
Robert Baron
Conductor:
Artie Butler
Costume Design:
Keizô Murase
Kanju Yagi
Yasuei Yagi
Masao Yagi
Dialogue:
Robert Myerson
Director:
Sandy Howard
Noriaki Yuasa
Director of Photography:
Julian C. Townsend
Nobuo Munekawa
Editor:
Tatsuji Nakashizu
Executive Producer:
Ken Barnett
Masaichi Nagata
Hidemasa Nagata
First Assistant Director:
Sid Cooperschmidt
Shima Abe
Lighting Technician:
Yukio Itô
Mamoru Ishizaka
Modeling:
Keizô Murase
Kanju Yagi
Yasuei Yagi
Masao Yagi
Music:
Tadashi Yamanouchi
Music Arranger:
Artie Butler
Original Music Composer:
Wes Farrell
Producer:
Yonejirô Saitô
Producer's Assistant:
Fran Wolf
Production Assistant:
L. Jeffery Norwalk
Production Design:
Hank Aldrich
Akira Inoue
Production Manager:
Hiroaki Uejima
Screenplay:
Nisan Takahashi
Script Supervisor:
Barbara Robinson
Sound:
Murray Rosenbloom
Sound Recordist:
Masao Ôsumi
Toshikazu Watanabe
Sound Supervisor:
Masao Ôsumi
Special Effects:
Yonesaburo Tsukiji
Kiyoshi Ishida
Tôru Suzuki
Special Effects Assistant:
Kiyoshi Ishida
Tôru Suzuki
VFX Director of Photography:
Yonesaburo Tsukiji
VFX Lighting Artist:
Mamoru Ishizaka
Visual Effects:
Yonesaburo Tsukiji
Kiyoshi Ishida
Kazufumi Fujii
Visual Effects Art Director:
Akira Inoue
Visual Effects Compositor:
Kazufumi Fujii
Visual Effects Director:
Yonesaburo Tsukiji
Kiyoshi Ishida
Visual Effects Production Manager:
Kiyoshi Kawamura
Writer:
Richard Kraft
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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